The New Voice: How to Sing and Speak Properly Review

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(More customer reviews)I agree wholeheartedly with the first reviewer. This book tells you how to sing, not just what should happen in good singing. Idon't know of any other book that spends the time needed to addresssetting up the structure for singing and especially the tongue and high larynx which causesmost of the problems that as a voice teacher I encounter!This is amazing.getting over the urge to gag is really worth it! I'd like to be in contact with other teachers and singers who find this really great. It has meant so much to many of my students who went to teachers who seemed to be afraid of this approach and who use only the ear and imagery to overcome real physical ignorance ormisunderstandings. There ishelp out there for the tight, retracting, tense and lazy tongue. What freedom this offers!!!!!!

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This book is a valuable contribution to laryngeal knowledge and presents a concise profile of the anatomy of the larynx. Features exercises that will restructure the voice and teach the student a new way to handle the instrument.

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First Book of Practical Studies: Cornet and Trumpet Review

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(More customer reviews)As a trumpet teacher, I use this book with all of my students throughout their career in my studio.Beginners will find the book challenging yet accessable.Intermediate students will re-visit the book to learn cut-time playing.Advanced students will find this book valuable for practicing transposing.
Getchell's writing style is quite melodic which makes these exercises fun and enjoyable to play.

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This First Book of Practical Studies is designed todevelop chord consciousness and to provide additional experience inthe fundamental rhythms, key signatures and articulations and toimprove accuracy in reading through the use of interesting and melodicstudies. It may be used either to supplement or to follow anybeginning method book.

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The Rough Guide to Film Musicals 1 (Rough Guide Reference) Review

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(More customer reviews)As part of the expanding Rough Guide series covering the entertainment field, Empire Magazine film critic and historian David Parkinson has done a smart, admirable job documenting the history of the film musical genre within the book's 326 pages. The key to its success is the way he divides the volume, first with a cursory look at the stage shows and minstrel revues that preceded film, the concept of silent musicals before talkies arrived, and tracking how the musical film has evolved over the last century. Parkinson spotlights iconic figures both in front of and behind the camera. The usual suspects are here - Astaire, Kelly, Garland, Gershwin, Rodgers and Hammerstein - but also "underused" figures like the Nicholas Brothers and Ethel Waters.

The most interesting section describes how musicals work in terms of plot devices and visual style. Obviously, no guide is complete without a list of the fifty essential cinematic musicals, a relatively sturdy list that combines indisputable classics (Singin' in the Rain, Swing Time, the 1936 version of Show Boat) with long-forgotten gems (Summer Holiday, The Love Parade) and films of a more recent vintage (Chicago, Evita). There is a quick rundown of international musicals broken down by country, as well as lists of the best soundtracks, genre Web sites and books for further reading on the subject. My one overriding criticism is the overly jaundiced comments Parkinson makes about musicals he considers essential but obviously detests (High Society, West Side Story). Regardless, this is a fun read for aficionados of the genre.

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The perfect companion to cinema"s most spectacular genre, The Rough Guide to Film Musicals reveals how an escapist entertainment became Hollywood"s most ingenious art form. From such enduring classics as Singin" In The Rain and West Side Story to recent successes like Evita and Chicago, this book reviews 50 essential musicals, including several forgotten gems. There are profiles of musical icons such as Fred Astaire, Judy Garland and George Gershwin and details of musicals from around the world. Complete with a list of the best soundtracks, websites and books for further reading, this Rough Guide takes a behind the scenes look at this magical movie genre.

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2008 Songwriter's Market Review

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(More customer reviews)Excellent resource for any songwriter, performing or not. Contains useful advice on how to prepare demos, copyright, etc, plus a comprehensive list of agents, music publishers, record companies and other useful contacts.

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Features hundreds of listings for music publishers, record companies, managers & booking Agents, and record producers, as well as songwriter support organizations, contests, and online resources.
Includes interviews with successful pro songwriters, including Paul Simon and Kara DioGuardi (Christina Aguilera, Santana, Celine Dion, Kelly Clarkson, plus two BMI Pop Awards in 2006).
Crucial articles inform readers about how money is made in music and how to protect themselves from the scam artists of the industry.
The 2008 Songwriter's Market is packed with information about the inner workings of the music industry that can mean the difference between success and failure. Readers will find support and encouragement through support organizations, online resources, and songwriting-related books and magazines, as well as articles and interviews with industry insiders. The reader will also find numerous listings for music industry companies and executives including their contact information, the type of music they are looking for, and how much they pay.

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No Static: A Guide to Creative Radio Programming (Book) Review

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(More customer reviews)This book should be course-required reading for those aspiring to a career in radio.As a student studying broadcast communications this book has been invaluable at framing the industry and providing insight into the nuances of the medium.Mr McCoy has been a pioneer in the industry and has consistently inspired creativity in others... this book continues that trend.

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Now in softcover, No Static shows why success in todayÕs corporate-controlled world of radio depends on putting personality and fun back on the air - and how to build the creative team to do it. This inspirational handbook by Quincy McCoy offers radio pros and aspiring broadcasters proven strategies for restoring the craft of creative programming. Practical techniques and exercises help develop leadership skills that encourage creativity, motivate staff, increase flexibility and nurture teamwork. Writing in a personal style, McCoy guides you and your radio station toward more focused branding, stronger programming, more personable DJs, and - ultimately - higher ratings leading to higher revenue.

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Ferber: Edna Ferber and Her Circle: Paperback Book (Applause Books) Review

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(More customer reviews)Biography written by a family member or friend so often is mere hagiography, not good biography. But the book by Julie Gilbert, Edna Ferber's great-niece, was the only Ferber biography I could find, so I decided I would start there to learn about Ferber, and I'm really glad I did. Is the Gilbert book objective? Of course not. No one writes objective biography.

I applaud Gilbert for her courage in presenting Ferber as a real person, exposing the extremes of her personality. Ferber was outsized-she had a benevolent heart coupled with colossal rage: "When Ferber got worked up over an issue, there was nobody who could touch her. She was a dervish of indignation. When she was calm she exuded power; when she was upset she exuded great power." Katherine Hepburn, twenty years Ferber's junior, says: "We were dangerous women. There aren't any more of us around."

I give the book only four stars for two reasons: One, becauseI wish Gilbert had included photos. I love the image that Gilbert writes of Ferber and her sister Fan looking together like a Diane Arbus photo: "visually similar and visually sour." A picture of these two together would have added a lot to the book; and two, because Gilbert doesn't include sources. Perhaps most of Ferber's papers are still in the family's control; regardless, I would like to have known where Gilbert found her information.

That being said, I would recommend this book for anyone interested in Edna Ferber, and also in New York, theater, and party life of the 1930s. Whee, Ferb! Wot a girl!

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This enduring biography of the popular writer begins with Ferber's last years in New York City, exploring the setting in which she did all of her great writing. Diaries, copious correspondence, and the cooperation of distinguished living friends have resulted in a rich portrait of a period and a literary circle not yet fully documented, and an insightful engaging analysis of a woman writer highly influential in the shaping of twentieth century America.

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Film Noir Reader 4: The Crucial Films and Themes (Bk. 4) Review

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(More customer reviews)As Alain Silver explains in the book's Introduction, "Film Noir Reader 4" is different in purpose from the previous Film Noir Readers. It focuses on key films and key themes, rather than attempting to be inclusive or comprehensive. In that spirit, Silver has included a few lists of the most important film noirs according to himself and others in the Introduction. "Film Noir Reader 4" contains 23 mostly modern essays, many apparently not previously published, presented in two parts. The paper the book is printed on is pure white, instead of the off-white of previous volumes, so the black-and-white stills look better.

Part I, "Case Studies", includes 12 essays on key films. The films discussed are: "Double Indemnity", "Detour", "The Big Sleep", "Out of the Past", "The Unsuspected", "Gun Crazy", "D.O.A", "The Big Night", "Kiss Me Deadly", "The Big Heat", "The Big Combo", and "Touch of Evil". Glenn Erickson's enthusiastic and insightful essay "Fate Seeks the Loser: Edgar G. Ulmer's Detour" is particularly interesting. The same can be said for Kevin Hagopian's study of "The Big Sleep" and Stephen B. Armstrong's history of "Touch of Evil". Both films were radically altered by recuts, with the result of making them nonsensical. These carefully researched essays explain what was changed and why.

Part II focuses on "Noir Themes", although I don't think that most of these can reasonably be called "key" themes. Eleven essays discuss a variety of themes that can be found or projected upon classic noir films, including psychodrama, images of women, noir antecedents, horror-noir, war noirs, left-wing politics in noir and crime films, hybrid noir-westerns, and noir title sequences. In other words, Part II is a catch-all. "Cat People", "Rancho Notorious" (in comparison to "The Big Heat"), and "Double Indemnity" are discussed in the most depth.

I'm giving "Film Noir Reader 4" a lower rating than I gave the previous Film Noir Readers, because it is overwhelmed by the sort of absurd ideological readings that I haven't heard this much of since I studied film in college. The reader can't get far without running into dogmatic -and, I might add, eternally ill-defined- terminology like "patriarchal capitalism" and "misogyny". For grown persons to legitimize their socio-economic hang-ups by deliberately misrepresenting 60-year-old movies is pitiful. I am reminded of the reason director Fritz Lang left Germany: The Nazi Party liked his films so much that they offered Lang the opportunity to run the German film industry. His films were anti-fascist. Anyway, there are some good, informative, essays in "Film Noir Reader 4", and it's useful to present different interpretations. But these aren't so different, and I get the impression of scraping the bottom of the barrel.

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The earlier Film Noir Readers, which now boast a combined sale of well over 30,000 copies, have all quite deliberately conveyed a sweeping overview of the classic period, demonstrating how broad and inclusive noir movies are. Film Noir Reader 4 moves in a different direction. Its purpose is to identify the key films and motifs of noir and to analyze in depth the prototypical pictures that, while vivid examples of certain cinematic themes, bend and break their molds to find new ways to enthrall and frighten us. Like its predecessors, Film Noir Reader 4 is generously illustrated and features essays by such respected film critics and scholars as Robin Wood, J.P. Telotte, R. Barton Palmer, and Robert Porfirio. All have as their purpose to explain why and how these classic films work; the way screenplay, direction, acting, cinematography, editing and all the other filmmaking crafts blended together to produce work that exemplifies both a particular movement in film history and the innovations that keep the noir style fresh and compelling.

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Pop Annual 1955-1999: Sixth Edition (Book) Review

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(More customer reviews)Joel Whitburn has been America's chart chronicler for thirty years now-The new edition of "Pop Annual" is great-Not only does it list every single that charted in Billboard magazine's "Hot 100" from 1955-1999,but Whitburn has a year by year Time Capsule,which gives the reader an overview of world & national events,sports,& entertainment-If you're a radio personality or just a music geek,like myself,this book deserves a worthy place in your bookcase.

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A must for every music enthusiast's bookshelf, our new Pop Annual 1955-1999 is a year-by-year ranking, in numerical order according to the highest chart position reached, of the 23,070 singles that peaked on Billboard's pop singles charts ("Hot 100," "Best Sellers in Stores," "Most Played by Jockeys," "Most Played in Juke Boxes" and "Top 100") from January, 1955 through December, 1999. Features comprehensive, essential chart data and more arranged for fast, easy reference. All new features include: the names of the songwriters for every title that ever made the "Hot 100" or any of Billboard's other pop charts since 1955. All titles from Billboard's "Hot 100 Airplay" and "Hot 100 Sales" charts that did not make the "Hot 100" are now included in a special year-end wrap-up at the end of the yearly rankings. The special bonus section also features: Top 500 artists ranking * charted Christmas singles section * Academy Award and Grammy Award-winning songs and records * complete alphabetical song title list * other artist, songwriter and record achievements.

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Arban's Complete Conservatory Method for Trumpet (Cornet) or Eb Alto, Bb Tenor, Baritone, Euphonium and Bb Bass in Treble Clef Review

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(More customer reviews)I am a trumpet player of 23 years experience, and the Arban book is the "bible" for every trumpet player.It's focus is on "disciplined" music, and can give you a good baseline for movinginto improv.Many clinic and all-state tryout pieces came out of this booktried by time.It would take years to master its total contents.I wasplaying "new" pieces out of it last night!It will also helpkeep you from buying dozens of etude books.The book is very methodicalwith each section introduced in several languages.There is no player whowon't be challenged by it's content.It will carry you from middle schoolthrough college and waaaaaaaaay beyond.Looking for some of it'sinspiration?Check out Wynton Marsalis' "Carnival" CD on Amazon!

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A PILLAR AMONG TRUMPET METHOD BOOKS, The Carl Fischer Authentic Edition ArbanÂÂ's Complete Conservatory Method for Trumpet has long set the standard for trumpet pedagogy books.

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John Simon on Film: Criticism 1982-2001 (John Simon On--) Review

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(More customer reviews)John Simon is a maddening individual. He is the premier example on what William Goldman called the "Supercritic". This is one who seems to always find merit in works the majority of his/her colleagues dismiss, and grandly dismisses works most others praise. It would seem, therefore, that he should be likewise easy to dismiss... except for two things.
First, even when he is tearing apart a much beloved film or praising some dismal exercise, he's, well, right! That is, his points are always on the mark and exceedingly well argued, This can hurt, albeit briefly, any future viewings of a favorite film, and, probably, enhance viewings of a "dog" (I say "probably" because life's too short to test out this latter proposition). Second, he is. without doubt or peer, the most brilliant, witty, and pithy writer on (pick your subject-he's written on them all) Music, Theater, Books, or, as in this case, Film, not only of our time but, arguably, of all time.
Sure he's uncommonly (and unnecessarily) cruel to those he dislikes, commenting not only on their abilities (fair game), but on their looks, intelligence, life-style, what-have-you.
And, sure, he can be so maddeningly erudite that you know he's using words and phrases whose meaning only he can tell. But, those words! That wit! Do NOT start reading this 700+ collection of some two decades of reviews unless you've lots of time at your disposal, because once you start, you will NOT be able to stop,

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"I find John's critical writing immensely entertaining even when I'm not in agreement... He has the gift, such a rare one, of being able to analyze the work in question, to be able to say why it is that it's so powerful, so touching; or, on the othe

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Screen World: 2000 Film Annual: Volume 51 Expanded Format With Over 1,000 Photographs Review

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(More customer reviews)Tracing all of the releases of 1999, this superb book of films released that year is a perfect resource for those who enjoy film. Tracing the best and most popular, to the most obscure. Including pictures of most of the films released that year, including "The Sixth Sense", "The Green Mile", and one of my favorites "Anna And The King". Superbly sectioned by release by year, Foreign films, etc. A perfect companion to the previous books in this series.

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John WillisÕ Screen World, since 1949, has been the essential, comprehensive pictorial and statistical record of each yearÕs movie season. Volume 51 provides an illustrated listing of American and foreign films released in the United States in 1999, all documented with more than 1,000 photographs. The 2000 edition of Screen World includes such notable movies as American Beauty, Austin Powers: The Spy Who Shagged Me, Being John Malkovich, The Blair Witch Project, Boys DonÕt Cry, The Cider House Rules, The Green Mile, The Hurricane, The Insider, The Sixth Sense, Star Wars Episode I: The Phantom Menace, and hundreds more. As always, Screen WorldÕs outstanding features include photographic stills and complete credits from the films, biographical notes on selected individuals, full-page shots of Academy Award-winning actors, and a look at the yearÕs most promising new screen personalities.

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Screen World 1993, Vol. 44 (John Willis Screen World) Review

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(More customer reviews)Hardly a day goes by that I would check out any of the volumes in this essential series that gives as much info on any movie you have or may have not seen. A perfect guide for any movie lover, and as one, would recommend collecting all of them, starting in 1949.

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John WillisÕ Screen World has become the definitive reference for any film library. Each volume includes every significant U.S. and international film released during that year as well as complete filmographies, capsule plot summaries, cast and characters, credits, production company, month released, rating, and running time. YouÕll also find biographical entries - a prices reference for over 2,000 living stars, including real name, school, place and date of birth. A comprehensive index makes this the finest film publication that any film lover could own.

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The Modern Rhyming Dictionary Edition (Book) Review

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(More customer reviews)I have used this book extensively in my search for the proper form and rhyme in my lyrics. I've bought several copies to give to friends and students. A must in any songwriter's library of resources.

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Gene Lees' bestseller for songwriters has been revised! In addition to providing fascinating, creative and clear techniques for writing lyrics, this edition now includes: a new foreword by renowned songwriters Alan and Marilyn Bergman; a new chapter called "Tattered Standards," which outlines the lack of literacy in certain modern songs and shows you how to avoid it; a new chapter called "The Words You Choose," which examines why words from some language families are subconsciously more appealing than those from others; and much more! Invaluable to the beginner, this book will also prove beneficial to professionals, poets, linguists and teachers.

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Theatre World Volume 64, 2007-2008: The Most Complete Record of the American Theatre Review

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(More customer reviews)Every year I look forward to these yearly Broadway books.They are loaded with all the facts for every show that opens between June 1st of that year to May 31st of the following year. Also off Broadway and off off Broadway.So if you love the theatre the way I do, these books are for you.

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Celebrating its 64th year, Theatre World remains the definitive annual record of the American theatre season - the most complete record of the Broadway, Off-Broadway, Off-Off-Broadway, and regional theatre season. Volume 64 features Harvey Fierstein's A Catered Affair, starring Faith Prince, and Tracy Lett's moving August: Osage County, the latter part of a strong season for original dramas on Broadway. It was a season also rife with stellar revivals, including Sunday in the Park with George; South Pacific; Come Back; Little Sheba with S. Epatha Merkerson; Cat on a Hot Tin Roof with James Earl Jones; and The Country Girl, directed by Mike Nichols and starring Morgan Freeman and Frances McDormand. Off Broadway, both Passing Strange and In the Heights were a sensation and moved to Broadway. Mask, at the Pasadena Playhouse, and True Life Tales, based on an Internet blog and produced by Balliwick Repertory in Chicago, made splashes on the regional scene. As always, Theatre World's outstanding features include: * An expanded section of professional regional productions from across the U.S. * An expanded listing of all the major theatrical awards * The longest running shows on and off Broadway * Full coverage of the Theatre World Awards for Broadway and Off-Broadway debuts * Expanded obituaries and a comprehensive index

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American Troubadours: Groundbreaking Singer-Songwriters of the 60s Review

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(More customer reviews)this book has chapters on some of the best songwriters of the era, ranging from the, more or less anyway, fairly well known ( like tim buckley and phil ochs)to the undeservedly obscure, like david ackles. these artists do vary in quality, but the stories are always at least interesting, and often fascinating. there are lots of fine pictures of the performers in the book as well,if anything the work is a little short. people who enjoy the writings of richie unterberger and vernon joynson probably will like this as well

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This book shows how nine talented artists - David Ackles, David Blue, Tim Buckley, Tim Hardin, Fred Neil, Phil Ochs, Tom Rapp, Tim Rose and Tom Rush - each expanded the standard pop blueprint of the day and made a significant contribution to rockÕs coming of age, with songs like "If I Were a Carpenter," "EverybodyÕs TalkinÕ" and "Hey Joe." Features photos throughout, discographies, and a great 32-page color section.

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Gibson Guitars 100 Years of an American Icon Review

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(More customer reviews)Gibson has unleashed a propaganda piece on an unsuspecting audience of guitar freaks.By having their in-house historian write it and by publishing it themselves, Gibson has ensured that they retain complete editorial control over all of the content.Here's an example of the hypebole that is present throughout the book: in reference to the oncoming wave of solid body electrics Walter Carter writes, "...Gibson would lead rather than follow the pack as the electric guitar era began to take shape."I think Leo Fender would take exception to that statement if he were still around.The book features lots of well-known players with a Gibson in their hands.The captions border on outright fraud."Jimi Hendrix reached new guitar heights with an SG Custom."Gee, I thought that 99% of his playing was on a Fender Stratocaster."Rolling Stones guitarist Keith Richards plays a custom single-pickup L-55."Maybe he does in that picture, but any casual Stones fan will tell you that Keef plays a Tele.There are countless other examples of this type of misreprensentation.As much as I dislike that lame marketing approach, I completely despise the self-congratulatory chapter on the trio of Harvard guys who bought the company in 1986.I personally think they have done more to damage the image of Gibson in the eyes of players than Norlin ever did.They even went so far as to include a staged photo of Juszkiewicz between rounds in a boxing match with the caption: "Berryman and Zebrowski revive Juszkiewicz after a tough round in a negotiations course at Harvard business school."It's almost too much to stomach.

Having said all of that, the book is not completely without merit though.If you are a diehard Gibson fan and already own Duchossoir's essential book "Gibson Electrics - The Classic Years," then this book may make a nice, if somewhat trivial, addition to your collection of guitar books.

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Practical Guide to Percussion Terminology Review

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(More customer reviews)Amazon lists Anthony Cirone as the author of this excellent little reference book. Actually, despite Cirone's valuable contributions, the principal author is Russ Girsberger, until early 2006 the ensemble librarian of the New England Conservatory in Boston.

I own a lot of percussion reference books, but this is the one I always reach for first. It's hard to beat.

David Daniels

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Confused with the growing list of percussion instruments and terms? This new Meredith publication provides both definitions and an artistic interpretation of how each term is applied to the literature. A great source for conductors, composers, performers and students.

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