Complete Blues Keyboard Method: Beginning Blues Keyboard (CD) Review

Average Reviews:

(More customer reviews)This is one of the best beginning blues instruction books I've found. It teaches a bit of blues theory and provides the basic framework for the blues, but Tricia also provides the beginner with a few blues tunes to play. You can find books with advanced blues songs (from established performers) and you can find books with blues "riffs"....but you won't find many bookes for beginners that have good sounding, playable, blues tunes. Ms. Woods delivers on all fronts.

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Product Description:
Anyone with basic keyboard skills (equivalent to Alfred's Basic Piano, Lesson Book 2) can dig right in and begin learning blues right away. Learn what it takes to create the distinctive sound of the blues, including basic chords and scales, blues melodies, improvisation, turnarounds and intros. Other topics include the 12-bar blues form, walking bass and playing in a band.Full of fun blues tunes to play, Beginning Blues Keyboard provides a step-by-step enjoyable way to learn the blues. 96 pages.

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The Hal Leonard Real Jazz Book - C Edition (Fake Book) Review

Average Reviews:

(More customer reviews)Don't be put off by the other, tepid reviews on this page: this is a great collection.Or I should say, this is half of a great collection.The thing is, you need volume one--the Hal Leonard "Ultimate Jazz Fakebook"--to go with it.
If you have them both, you have probably every jazz standard--and then some--that I've ever heard on a record--plus many tunes I have yet to hear anyone play.
The way I see it, "Ultimate" has more of the most commonly played songs, while "Real" has the great ones that got left out of the earlier collection, plus a lot of newer stuff.
A look at the compser index for "Real" shows a general trend: Lots of Desmond, Coltrane, and Herbie Hancock tunes are in the later book, while most of the Cole Porter and Gershwin stuff in in the earlier book.(Ellington's best known stuff is here, too, about half in the "Ultimate" book and half in the "Real" book.) There is NO duplication between the books.
I do my Band-In-A-Box work outs with the chords, and they are just fine, for the most part. I've caught a few errors--no big deal in a collection this vast.I find half of what I play tends to be from the grery volmem, and half from the black.
Get em both!

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Product Description:
A unique, comprehensive collection of jazz material in a wide range of styles, with no song duplication from The Ultimate Jazz Fake Book. Includes: * Over 500 songs in all jazz styles, including standards, bebop, Latin, fusion, etc. * A great deal original material associated with major artists * Hard-to-find modern jazz repertoire * A significant number of songs which have never * Lyrics for all selections * Easy-to-read music typography * A songwriter index for reference Selections represent a diverse list of major jazz artists, including Louis Armstrong, Count Basie, Bix Beiderbecke, Dave Brubeck, Billy Childs, Nat King Cole, John Coltrane, Chick Corea, Miles Davis, AL DiMeola, Billy Eckstine, Duke Ellington, Peter Erskine, Kevin Eubanks, Bill Evans, Ella Fitzgerald, Dizzy Gillespie, Benny Green, Dave Grusin, Herbie Hancock, Coleman Stern, Art Tatum, McCoy Tyner, Sarah Vaughan, Fats Waller, Weather Report, and many more jazz greats. Over 500 songs, including: Agua de Beber * Aisha * Aja * Alfie * Alice in Wonderland * Anthropology * April in Paris * Autumn in New York * Bark for Barksdale * Besame Mucho * Black Coffee * Blues for Alice * Brazil * Cannonball * Caravan * Cast Your Fate to the Wind * Change of Season * Don't Worry 'Bout Me * Epistrophy * Feels So Good * Filthy McNasty * 500 Miles High * (Meet) The Flintstones * Georgia on My Mind * Giant Steps * Girl Talk * How Deep the Ocean * I Mean You * I've Got the World on a String * In a Sentimental Mood * Isn't It Romantic? * Isreal * Kogun * Lady Bird * Lament * Maiden Voyage * Makin' Whoopee! * Manteca * Morning Dance * My Attorney Bernie * My Old Flame * Norwegian Wood * The Rainbow Connection * The Shadow of Your Smile * Sippin' at Bells * Some Skunk Funk * Sophisticated Lady * Star Dust * Stella by Starlight * This Masquerade * The Very Thought of You * Wave * When Sunny Gets Blue * Windows * Woodyn' You * and many more!

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Blues & Jazz Complete Review

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(More customer reviews)Dr. Konowitz presents a thorough, pedagogically sound introduction to blues and jazz. The book is spiral bound, so it lays flat on your music stand. A variety of blues and jazz techniques are meticulously illustrated. New chords are introduced with a nice full page guide to the keyboard fingering. It is a bit cookie cutter, but having the fingering written out below and above the staffs is a plus. My only complaint is that the "band" seems to be a cheesy concoction of General MIDI instruments played through an inadequate sound engine. The CD sound quality is irritating. One word of extra advice: You will not need the CD for the companion book, Chords Complete, because it only contains incidental backing rhythm tracks for the chord exercises. I have four books authored byKonowitz. The sound quality of the CDs are uniformly cheesy except for the Listen and Learn Blues Book published in 2002.

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Product Description:
Save lots of time searching for ways to play Blues and Jazz.All you need to know to begin playing these great styles is carefully organized here by master teacher and performer Bert Konowitz.Learn to play blues scales, chord voicing, progressions, left-hand accompaniments and improv techniques.Unlock the basics of Latin, Rock, Bebop, Pop Ballads and Fusion styles. Start playing Blues and Jazz now!

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Voicings For Jazz Keyboard Review

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(More customer reviews)This book explains away all the mysteries involved in quartal jazz harmony, as well as provides great insight into using triads over dominant sevenths and voice leading.Frank gets right to the heart of the matterand presents it in a straight-forward, easy to understand manner, which isthe way it should be.Great for ANY instrumentalist and a great resourcefor jazz arrangers.

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Product Description:
A respected soloist, clinician and writer, Mantooth has written this book for any keyboard player interested in developing better jazz chord voicing. Written more as a Õhow-toÕ book than a textbook, Voicings will make a valuable addition to the library of any performer, arranger, teacher or jazz theorist.

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Hear Me Talkin' to Ya: The Story of Jazz As Told by the Men Who Made It Review

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(More customer reviews)This is a great introduction to Jazz History foranyone just becoming interested in the subject.Anyone who has been into jazz for some time whohasn't read "Hear Me Talkin' To Ya" yet ismissing a realtreat.This is full of facinatinginformation, and is a great read.
The book is wonderfull and colorfull look at theorigins anddevelopment of jazz music from New Orleans at the start of the 1900s to thestartof BeBop in New York mid-century.As the fulltitle states, thisis "The Story of Jazz AsTold By The Men [and Women] who MadeIt". This is a compilation of excerpts frominterviews, letters,autobiographies, andarticles with jazz musicians, both greatsand lesswell known musicians who have goodstories to tell.Louis Armstrong, BunkJohnson, Sidney Bechet, Danny Barker, Hoagy Carmichael, Jelly RollMorton, Mary Lou Williams, Benny Goodman, Coleman Hawkins, Milt Hinton,Charlie Parker, Dave Brubeck, and many others havetheir say.
Highlyrecomended!
-- DCM ("Froggy")

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Product Description:
"A work of considerable substance." - The New Yorker. In this marvelous oral history, the words of such legends as Louis Armstrong, Fats Waller, Jelly Roll Morton, Duke Ellington, and Billy Holiday trace the birth, growth, and changes in jazz over the years. Includes excerpts from hundreds of personal interviews, letters, tapes, and articles.

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Jazz Theory and Practice Review

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(More customer reviews)This is a great book, a comprehensive survey of many aspects of what I (not really being a jazz musician) would rather call "contemporary commercial music theory." This area of study is typically lacking in classical musicians' training, and any classical musician who would like to expand his or her musical horizons, in order to compete better in the "real world" of music and be able to work fluently from lead sheets, would do very well to buy this book and study it from cover to cover.

I have to agree with fellow reviewer Stephen Apple that this is one of the most useful - and well-loved - books in my library. "Jazz Theory and Practice" was written as a college-level text, and assumes familiarity with music reading and some elementary music theory concepts. Nevertheless it begins with (for review purposes, assuming that some students may need brushups) the common material on intervals, scales, basic chord construction, etc. which are the nuts and bolts of "Music Theory 101". Then it goes on to cover the entire gamut of 20th century commercial music harmony, with great sections on melody construction, rules of chord substitution, the two great short forms of 20th c. song: 12 bar blues and 32 bar song form, modal jazz practices, etc. Pretty much all of the practical musical tricks and devices that a working musician should be aware of are covered.

For the reader, the important prerequisite is to be able to read the "grand staff", or piano notation with both treble and bass clef, as the examples are often in this form (most are in simple treble clef.)

This is not a book about improvisation per se, but it contains the necessary practical tools that a musician needs to develop an intelligent (rather than "intuitive") improvisation practice.

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Product Description:
Jazz Theory and Practice is the most modern introduction to jazz theory ever published. Rich with examples from the repertoire, it gives performers, arrangers and composers an in-depth and practical knowledge of the theoretical foundations of jazz. A CD-ROM is also available, providing supplemental exercises for ear-training and sight-reading practice, as well as tutorials that correspond to topics and examples in the text.

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The Real Vocal Book - Volume 2: High Voice (Fake Book) Review

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(More customer reviews)Volume 2 of the Real Vocal Book makes easily available the lyrics, melody line, and chords for more than half of the tunes included in the (instrumental) Real Book Volume 3. Selections include You Can Depend on Me, What a Difference a Day Made, Lollipops and Roses, A Dreamers Holiday--lots of classics.

The book is easy on the eyes with notes, chords and lyrics large enough to see from a distance. Once you get used to it, the notation here is in my opinion the very best for jazz. Abbreviating "C minor 7th" as "C-7," for instance, makes for easy sight reading.

The chord choices here are almost always good, though some songs have chord substitutions I'm not happy with (e.g, Where or When).

The "Volume II" book title and the yellow cover color is a potential source of confusion. Note that the Volume 2 Vocal Real Book contains songs from the Volume 3 "instrumental" Real Book (gray or blue covered in the C, B flat, and E flat editions) *not* from the yellow-covered Volume 2 instrumental Real Book.

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Product Description:
A new collection of nearly 300 songs picked especially for vocalists! Includes: Ain't Misbehavin' * All the Way * Bali Ha'i * Be Careful, It's My Heart * Bein' Green * Besame Mucho * Blackbird * Caravan * Cheek to Cheek * Crazy * East of the Sun (And West of the Moon) * Everybody Loves Somebody * Falling in Love Again (Can't Help It) * From This Moment On * The Glory of Love * A Good Man Is Hard to Find * Hard Hearted Hannah (The Vamp of Savannah) * How Deep Is the Ocean (How High Is the Sky) * I Left My Heart in San Francisco * I'll Be Around * I'll Take Romance * I've Got My Love to Keep Me Warm * I've Got You Under My Skin * It's You or No One * Java Jive * Just Squeeze Me (But Don't Tease Me) * The Lady Is a Tramp * Learnin' the Blues * Lollipops and Roses * Lost in the Stars * L-O-V-E * Makin' Whoopee! * Mona Lisa * Moonlight in Vermont * More (Ti Guardero Nel Cuore) * My Blue Heaven * My Heart Stood Still * A Nightingale Sang in Berkeley Square * On the Street Where You Live * Prelude to a Kiss * Pure Imagination * Speak Low * Stormy Weather (Keeps Rainin' All the Time) * Strangers in the Night * That Old Black Magic * Time After Time * Unforgettable * The Very Thought of You * What a Wonderful World * Witchcraft * You Are Beautiful * and more.

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The Jazz Language: A Theory Text for Jazz Composition and Improvisation Review

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(More customer reviews)This book is written by Dan Haerle of the University of North Texas.Ifyou have yet to hear of the great jazz program there then perhaps you havebeen asleep the past several years.Haerle sets forth a comprehensivemusic theory and musicianship program for musicians of all levels.Thefirst chapter begins with a basic presentation about intervals and by thetime you are done with this tome you will have a good grasp of the manyharmonic and scalar concepts that drive jazz.These are fundamentals, asthe title suggests, that need to be in place if you wish to compose orimprovise in the jazz idiom.There are study questions and excerises atthe end of each chapter that are an invaluable aid for both the teacher andthe student alike.If you consider yourself a 'serious' musician in anysense of that word then you ought to be ashamed if you don't own this book.

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Product Description:
PATTERNS FOR JAZZ stands as a monument among jazz educational materials.Condensed charts and pertinent explanations are conveniently inserted throughout the book to give greater clarity to the application of more than 400 patterns built on chords and scales -- from simple(major) to complex (lydian augmented scales).

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Scat! Vocal Improvisation Techniques Review

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(More customer reviews)Enjoyable yet slow down a little, Mr. Stoloff!Stoloff goes into a a brief history of how the scat style came about and then dives straight into jazz theory without giving well understood reasons on how it applies to his scat examples(e.g. Some Theory and then many examples, some more theory and then more examples.) The theory that's introduced with each chapter appears very academic and dry at times.Perhaps this is understood with Stoloff's educational background.However, I wish Stoloff would have kept in mind that the majority of singers out there who wish to delve into this subgenre of vocalization are not necessarilly theory-based and the text could have been adjusted accordingly.I would have liked the author to cover more of his personal philosophy and approach to vocal improvisation beyond the "just do what I've written and you'll be fine" mentality.
The big benefit and treasure of this book is the accompanying CD though.However, I do have two complaints: 1) it still purveys the "I'll do it and you copy me" approach and you just hope somewhere down the line, everything will come together 2) some of example melody lines he's flying by in lightning speed(I had to get a wave editor to slow down some of his jazz runs).The benefits: This CD is indeed great for loosening up your vocal chords, lips, nervousness and perhaps just to loosen up your entire 'soul' before a gig.I've been working with this book/CD for over six months now and have noticed a more relaxed approach to my melody lines in practice or performances after warming up with the CD examples.

The last part of the book covers vocal drumming for the Bobby McFerrin/ rap beat boxer types. He does an impressive job with the examples but it was only amusing at best.I feel that it takes a little too much real estate in the book and CD though.Again, I felt that he doesn't properly explain how this section connects with the rest of the material.
Overall, I am thankful that I ran into this book though for the sake of finding something to counter balance the regimen of scales and typical vocal exercises.I do know that I am a more confident improviser and not afraid to stretch out the melodies because of Stoloff's material. Recommended but be creative how you practice the material!

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Product Description:
A comprehensive approach to vocal improvisation with rhythmic and melodic exercises, transcribed solos, vocal bass lines and drum grooves, syllable articulationetudes, and more. The CD includes call response exercises, demonstration solos by the author and sing-along chord pattern in Latin, jazz and hip-hop styles with rhythm section accompaniment.

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The Fifty Greatest Jazz Piano Players of All Time: Ranking, Analysis & Photos (Book) Review

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(More customer reviews)Ranking musicians/artists is wrongheaded but some of these picks are just beyond the pale.He ranks the number 1-4 top jazz pianists of all time as Oscar Peterson, Bill Evans, Bud Powell and Art Tatum.Reasonable picks.So who's number 5?Gotta be along the lines of Chick, Herbie, Keith, McCoy, Cecil, Fatha Hines, Teddy Wilson, Fats, or Jelly Roll, right?Get this- Monty Alexander!and who's number 6?Benny Green!I was in disbelief.As you wade through the rest of the picks you realize that the closer a pianist comes to duplicating Oscar's style the higher he is rated (Gene Harris rates 12 if I recall).Now I have plenty of Monty Alexander and Benny Green recordings and enjoy their playing, but they are hardly the sort of original pianists that would merit their rubbing shoulders with these giants.This book may familarize the jazz piano enthusiast with some players they didn't previously know but a better book in that regard would be Robert Doershuk's "88: The Giants of Jazz Piano."Doerschuk's book features more pianists, is more informative and comes with a CD.I will say that Rizzo's book has some nice photos.

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Handy resource for jazz listeners and hardcore fans.Spanning players from eighty years of history, this bold book steps forward and claims who are the greatest. Compiled from an extensive survey conducted with the best jazz minds in the ed

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Bebop Jazz Piano: Hal Leonard Keyboard Style Series Review

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(More customer reviews)I have a few of the other books in this series and find them all great! John Valerio is a wonderful composer and teacher and has a very similar style to Mark Harrison (another composer in this series). This book includes important information about chords, voicings, harmony, chord progressions, scales, tonality, melodic figures and patters, comping, characteristic tunes, styles of Bud Powell and Theolonious Monk...anything that is used in any type of bebop jazz. It goes through the history and evolution of Bebop. The book moves quickly but provides the information that is important. It comes with a very handy CD which allows to hear what it's supposed to sound like. I highly recommend this book and have found that using it with some of the other books in the series is beyond helpful!

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Product Description:
In this book in the Hal Leonard Keyboard Style Series, author John Valerio provides essential, detailed information for bebop and jazz pianists on the following topics: chords and voicings, harmony and chord progressions, scales and tonality, common melodic figures and patterns, comping, characteristic tunes, the styles of Bud Powell and Thelonious Monk, and much more. The accompanying CD features many of the examples in the book performed either solo or with a full band. Also included are combo performances of five of the tunes featured at the end of the book.

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Exercises and Etudes for the Jazz Instrumentalist: Bass Clef Edition (Instructional) Review

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(More customer reviews)This book has a ton of fun etudes and exercises to play through.They book is great sight reading practice because there are so many etudes that you can play a few every day and not repeat any for a long time.

The only thing that I slightly dislike is that there is very little information about the style that each etude should be played in.I think that's the point of the book; to teach you to figure out how to play melodically without relying on what is indicated on the page.But sometimes you just don't know.It says "Medium slow ballad," but is it straight or swung?The tempo is indicated as half-note = 100, and some of the rhythms look latin, so should I play it with a latin feel?This is only a minor problem though because usually it is pretty clear and I guess I am learning to make style decisions myself, which is good.The book might be better if some etudes are played with the guidance of a teacher though; I just play by myself so I can't judge that.

Overall, very good jazz book for trombone.

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Product Description:
Exercises and Etudes for the Jazz Instrumentalist is a collection of original pieces by master trombonist/composer J.J. Johnson. Designed as study material and playable by any instrument, these pieces (the harmonies of which are based on well-known standards) run the gamut of the jazz experience, featuring common and uncommon time signatures and keys, and styles from ballads to funk. They are progressively graded so that both beginners and professionals will be challenged by the demands of this wonderful music. Published in both treble and bass clef editions, this book also includes text to guide the player, as well as a biography of Johnson.

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Real Vocal Book Vol. 2 Low Voice (Fake Book) Review

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(More customer reviews)Finally!!!A Great book of vocal charts for the band singer. Most all band charts are in the easiest key of C. That's great key to play in, but not usually a comfortable key for a singer. This book has good keys for the alto Pop voice.....Finally!!!!

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Product Description:
A new low voice edition of nearly 300 songs picked especially for vocalists! Includes: Ain't Misbehavin' * All the Way * Bali Ha'i * Be Careful, It's My Heart * Bein' Green * Besame Mucho * Blackbird * Caravan * Cheek to Cheek * Crazy * East of the Sun (And West of the Moon) * Everybody Loves Somebody * Falling in Love Again (Can't Help It) * From This Moment On * The Glory of Love * A Good Man Is Hard to Find * Hard Hearted Hannah (The Vamp of Savannah) * How Deep Is the Ocean (How High Is the Sky) * I Left My Heart in San Francisco * I'll Be Around * I'll Take Romance * I've Got My Love to Keep Me Warm * I've Got You Under My Skin * It's You or No One * Java Jive * Just Squeeze Me (But Don't Tease Me) * The Lady Is a Tramp * Learnin' the Blues * Lollipops and Roses * Lost in the Stars * L-O-V-E * Makin' Whoopee! * Mona Lisa * Moonlight in Vermont * More (Ti Guardero Nel Cuore) * My Blue Heaven * My Heart Stood Still * A Nightingale Sang in Berkeley Square * On the Street Where You Live * Prelude to a Kiss * Pure Imagination * Speak Low * Stormy Weather (Keeps Rainin' All the Time) * Strangers in the Night * That Old Black Magic * Time After Time * Unforgettable * The Very Thought of You * What a Wonderful World * Witchcraft * You Are Beautiful * and more.

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David Baker's Jazz Pedagogy: A Comprehensive Method of Jazz Education for Teacher and Student Review

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(More customer reviews)I love the book, except chapter 1. Now some of the information in this chapter is good, but, a little on the racist side.

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This volume was the first published jazz teaching method. One of America's greatest musician-teachers, David Baker, shows how to develop jazz courses and jazz ensembles, with lesson plans, rehearsal techniques, practice suggestions, improvisational ideas, and ideas for school and private teachers and students.

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Jazz Piano Voicings: An Essential Resource for Aspiring Jazz Musicians (keyboard instruction) Review

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(More customer reviews)This book is great if you have a young one that hasn't played jazz or if you haven't had much jazz training.This book will give you chord changes in a lot of keys with some very basic bass lines.

THIS CAN BE VERY HELPFUL!!If you don't know what to do if you see a chord like this: Db7#5#9, then this is the book for you!This will walk you through many of the common (and some uncommon) chords and you will generally play these chords in all keys and usually with a walking bass of some sort.

If you are looking for a book that will have you playing repertoire to teach you these chords, you will not like this book.There is not one "song" in here - there are a few progressions that are written out with some right hand patterns as well as bass patterns - but you're not going to finish this book being able to play any repertoire.

But, that is the point - if you finish this book and learn what it has to teach, you'll have the TOOLS to play your favorite standards.

This is a good reference book - even if you have played some jazz...

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Product Description:
The jazz idiom can often appear mysterious and difficult for those musicians who were trained to play other types of music. Long time performer and educator Rob Mullins helps players enter the jazz world by providing voicings that will help the player develop skills in the jazz medium and start sounding professional right away without years and years of study.

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Joy of Improv, Book 1 (Piano) Review

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(More customer reviews)As a beginner/intermediate student of jazz, I've found this course to be excellent. If you want to learn how to improvise, this is a great start.If you're already at an advanced level, it can further improve your skills.

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This book/CD course on improvisation for all instruments and all styles will help players develop monster musical skills! Book One presents Lessons 1 through 26 of this unique instructional course that imparts a solid basis in technique, rhythm, chord theory, ear training and improv concepts. Covers: common chord voicings, basic chord progressions, the swing feel, and much more. The CD can be used as a listening and play-along tool.Also available: Book Two00220006 Book/CD Pack $24.95

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Hot Rock Sax - Techniques, Licks And Effects (Artist Transcriptions) Review

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(More customer reviews)I never thought that I would need to write a negative review - that is, until now.If you are looking to add to your repertoire of techniques - don't make the same mistake I did in buying this book.
The techniques offered in this book have very little (if any) good information to offer - there are plenty of instances of this throughout the book.
As one example, the section on "Vibrato", provides no tips, no exercises, in fact - no description of what good vibrato is or how it is done.
Another example, the section on "Growl", has content so thin that it leaves the reader "out in the cold".The author offers only one (of several) techniques for growling, but that description is inadequate at best for the production of growl.
I could go on (check out the section on "glissando"), but let me just say that the author and publisher are doing a disservice to sax students with this book.
We should expect that any decent music "how-to" book should include good descriptions (with illustrations), tips (and/or warnings), and exercises - perhaps even recorded examples.Sorry - this book doesn't measure up.

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An invaluable text that gives the Õreal worldÕ saxophonist a practical way to learn technique and style. TimÕs hands-on approach covers all the basics, including hardware, warm-ups, special effects, altissimo notes, the blues style, soloing over progressions, modal progressions, practical licks and lines, and much more. It gives todayÕs working saxophonist invaluable tools, study material, and insight into the techniques used in pop, rock, funk, and R&B music.

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