The Oratorio Anthology: The Vocal Library Soprano (Vocal Collection) Review

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(More customer reviews)I like this anthology.It has a very good selections from various kinds of sacred arias and I am sure it is suitable for singers in different levels. And the price is very resonable too.I would also recommend it to my vocal students!

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Product Description:
This is the most serious and useful collection yet published of solo arias from oratorios, masses and cantatas. The literature was confined to work by major composers, and by-passes the dated oratorio literature found in previous collections. The most famous music is here, and so is interesting and less famous music by masters. There are new music engravings for each aria, and extensive historical notes and translations. Solo instrumental obbligato parts, which can be cut from the book, are included on appropriate selections.

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Coloratura Arias for Soprano (G Schirmer Opera Anthology Series) Review

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(More customer reviews)The goal of the editors does not appear to have been to present the most difficult coloratura soprano pieces, but to set out a range of music that the student and instructor could use in order to develop flexibility in the voice.Well done!

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Product Description:
An excellent volume of coloratura arias has been added to the G. Schirmer Opera Anthology series. With thirty 18th-20th century arias in English, Italian, German, French and Russian, this is the largest collection of coloratura operatic excerpts ever published. Because of the nature of the material, tradition-based performance suggestions are liberally found throughout the volume. For instance, you will find standard vocal variations for the "Doll Song" from The Tales of Hoffmann included in the edition, along with the original vocal line. Like the other volumes in the ground-breaking series, there are historical and plot notes about each aria, new engravings, and new translations for study.

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Arias for Baritone: G. Schirmer Opera Anthology Review

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(More customer reviews)This a valuable anthology and has much to recommend it. The cleaness of the lay-out the use of original language only with a literal and literate translation by Martha Gerhart at the beginning of the of the score and thechoice of arias for the young singer are commendable. The inclusion ofcadenze and oppure, not found in other collections, is valuable. However,all of the anthologies edited by Larsen have the same problem. Page turns.Larsen is a fine pianist and should know better. I have had many pianistscomplain about or refuse to play from Larsen scores. Whenever a difficultpassage to play occurs it is invaribly on a page turn. The collection is agreat study tool, but less than ideal in performance.

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Contents: Mozart: Hai gia vinta la causa! ...Vedro mentr'io sospiro (Le Nozze di Figaro) * Fin ch'an dal vino (Don Giovanni) * Deh vieni alla finestra (Don Giovanni) * Donne mie, la fate a tanti (Cosi fan tutte) * Der Vogelfanger bin ich ja (Die Zauberflote) * Ein Madchen oder Weibchen (Die Zauberflote) - Rossini: Largo al factotum (Il Barbiere di Siviglia) - Donizetti: Come Paride vezzoso (L'Elisir d'Amore) * Bella Sicome un angelo (Don Pasquale) - Bellini: Ah! per sempre (I Puritani) - Wagner: O! du mein holder Abendstern (Tannhauser) - Verdi: Pari Siamo! (Rigoletto) * Di Provenza il mar, il suol (La Traviata) - Thomas: O vin, dissipe la tristesse (Hamlet) - Gounod: Mab, la reine des mensonges (Romeo et Juliette) * Avant de quitter ces lieux (Faust) - Bizet: Votre toast, je peux vous le rendre (Carmen) - Ponchielli: Ah! Pescator (La Gioconda) - Massenet: Vision fugitive (Herodiade) * Voila donc la terrible cite (Thais) - Leoncavallo: Zaza, piccola zingara (Zaza) - Puccini: Minnie, dalla mia casa son partito (La Fanciulla del West) - Moore: Warm as the autumn night (The Ballad of Baby Doe) - Barber: You rascal you! I never knew you had a soul (Vanessa).

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Gateway to German Lieder: High Voice (Gateway Series) Review

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(More customer reviews)The product itself is in great condition and has great material. However, the product took more than 2 weeks to ship. Usually my Amazon.com orders come in sooner. I understand that is was through a different company, but it was rather hindering to me to have my merchandise not shipped for so long. I hope this will change.

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Great masters of lieder from Beethoven to Richard Strauss are represented among 48 songs that have been chosen for their appeal to young singers. Musical excerpts studied in Gateway to German Diction appear as complete scores.

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The Oratorio Anthology: The Vocal Library Mezzo-Soprano/Alto (Vocal Collection) Review

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(More customer reviews)Love this book!

I completely agree with the two reviews below about the book being difficult to hold open. However, you could easily break the binding the put it in a binder yourself, or copy it and have it as sheets.

This anthology has wonderful pieces for alto soloists, and I strongly recommend it to anyone who is looking for alto solo pieces!

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Product Description:
This is the most serious and useful collection yet published of solo arias from oratorios, masses and cantatas. The literature was confined to work by major composers, and by-passes the dated oratorio literature found in previous collections. The most famous music is here, and so is interesting and less famous music by masters. There are new music engravings for each aria, and extensive historical notes and translations. Solo instrumental obbligato parts, which can be cut from the book, are included on appropriate selections.

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15 American Art Songs (Vocal Collection) Review

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(More customer reviews)This book contains songs suitable for singers of every level of study that are interested in unusual repertoire.

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Product Description:
With companion CD of accompaniments, Catherine Bringerud, pianist. Contents: American Lullaby (Rich) * Cabin (Bowles) * The Crucifixion (Barber) * The Daisies (Barber) * Do Not Go, My Love (Hageman) * Heavenly Grass (Bowles) * The Lamb (Chanler) * The Lass from the Low Countree (Niles) * Loveliest of Trees (Duke) * The Monk and His Cat (Barber) * Orpheus with His Lute (Schuman) * Serenity (Ives) * Sure on Ths Shining Night (Barber) * This Little Rose (Roy) * When I Have Sung My Songs (Charles).

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Diction Coach Arias for Tenor G Schirmer Opera Anthology Bk/ 2Cds (Diction Coach - G. Schirmer Opera Anthology) Review

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(More customer reviews)A wonderful resource for the developing young tenor!The texts are spoken by native speakers reflecting the correct accent and word stresses.

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Product Description:
Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translationsWith these book/CD packages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version the coach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coaches adapt the "R" in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each aria and word for word translations.The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelman for German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50481099 Arias for Tenor.

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Operatic Anthology - Volume 2: Mezzo-Soprano and Piano (Vocal Collection) Review

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(More customer reviews)I ordered this anthology a couple of weeks ago, shipment was a little slow but the person in charge of it was very cooperative and cordial. The anthology was in pretty much flawless condition.

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Contents: Verdi: Re dell' abisso affretati (Invocation Aria) (Un Ballo in Maschera) * O don fatale (Don Carlo) * Stride la vampa (Il Trovatore) * Condotta ell'era in ceppi (Il Trovatore) - Rossini: Una voce poco fa (Il Barbiere di Siviglia) * Non piu mesta (La Cenerentola) * In si barbara (Semiramide) - Mussorgsky: Marina's Aria (Boris Godunov) * Khivria's Song and Hopak (The Fair of Sorochinsk) - Bizet: L'amor est un oiseau rebelle (Habanera) (Carmen) * Pres des remparts de Seville (Seguidilla) (Carmen) * En vain pour eviter (Card Scene) (Carmen) - Mozart: Parto, parto (La Clemenza di Tito) * Non piu du fiori (La Clemenza di Tito) * Non so piu, cosa son (Le Nozze di Figaro) * Voi,che sapete (Le Nozze di Figaro) - Purcell: When I am Laid in Earth (Dido's Lament) (Dido and Aeneas) - Gounod: Faites-lui mes aveux (Faust) * Que fais-tu, blanche tourterelle (Romeo et Juliette) - Donizetti: O mio Fernando (La Favorita) - J. Strauss: Chacun a son gout (Prince Orlosky's Song) (Die Fledermaus) - Ponchielli: Voce di donna (The Blind Girl's Song) (La Gioconda) * Stella del marinar (La Gioconda) - R. Wagner: Hore mit Sinn (Waltraute's Narrative) (Die Gotterdammerung) * Entweihte Gotter! (Ortrud's Curse) (Lohengrin) * Gerechter Gott (Rienzi) * Wo in Bergen du dich birgst (Fricka's Scene) (Die Walkure) - Tchaikovsky: Adieu, forets (Jeanne d'Arc) * Pauline's Aria (Pique Dame) - Thomas: Connais-tu le pays (Mignon) * Me voici dans son boudoir (Mignon) - Gluck: Che faro senza Euridice (Orfeo) - Meyerbeer: Ah! mon fils! (Le Prophete) * Donnez, donnea (Le Prophete) - Handel: Cara sposa, amante cara (Rinaldo) * Ombra mai fu (Serse) - Saint-Saens: Printemps qui commence (Samson et Dalila) * Amour, viens aider (Samson et Dalila) * Mon coeur s'ouvre a ta voix (Samson et Dalila) - Massenet: Va! laisse couler mes larmes (Werther).

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Madama Butterfly: Vocal Score Review

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(More customer reviews)I purchased this score for a performance of Butterfly in July and August of this year.You would think a Ricordi score would have the Italian text on top.But, no, on top is a larger type English text.Underneath is the barely legible Italian text.Maybe I'm missing something, but most of the Butterfly recordings that I'm familiar with are sung in Italian.Perhaps singing the opera in English was an earlier practice and I've heard "Un bel di sung" in English, but really it isn't standard practice for this opera anymore, and Ricordi should update their score.I literally had to take corrector tape and white-out the English, so I would only have the Italian below my music. I prefer to write out my own translations anyways, so the English took up precious score space, when the Italian could have been made far more legible.

Other than that, and a few mistakes here and there, the music is clear, and the score is a tough one.I've spilled some coffee on the cover, and it wiped off well, with no damage.The binding is also pretty strong.

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Product Description:
Italian/English. Translated by Gutman.

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Pronunciation Guide for the French Song Anthology Bk/ 3Cds (The Vocal Library) Review

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(More customer reviews)This is a terrific resource for a serious singer who is not skilled in languages.The recording are clear and the lesson portion is spoken slow enough to be quite useful.

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Product Description:
with IPA and word for word translations and CDs of recorded diction lessons This is a companion to The French Song Anthology, edited by Carol Kimball and Richard Walters, with 60 songs by 24 composers. The diction lessons were recorded by coach, conductor and diction specialist Pierre Vallet. The diction for each song is recorded twice: first recited as an actor would speak it, showing flow of the language and the mood, followed by a slow, deliberate lesson, allowing time for the student to repeat each line. This experienced language coach adapts the "R" in French in the slow versions as recommended for classical singers. He is also very sensitive to liaisons between word sounds in the musical settings. Other French Song Anthology publications: 00740162 High Voice, book $19.95 00000453 Accompaniments, High Voice, 2 CDs $16.95 00740163 Low Voice, book $19.95 00000454 Accompaniments, Low Voice, 2 CDs $16.95

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Sacred Classics: The Vocal Library Low Voice (Vocal Collection) Review

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(More customer reviews)If you are a baritone, an alto, or a mezzo soprano who sings in church, you will find this book handy. Students of classical singing will also appreciate it.
The sheet music includes 10 of the sacred classics that are most often used throughout the liturgical year: Bizet's "Agnus Dei," Franck's "Panis Angelicus," the Bach-Gounod "Ave Maria," and others of the same stature. The accompaniments are easy enough for the average church pianist or organist.
There is a CD with each piece sung very well, and also practice tracks with just the accompaniment. This is a big help to music students and soloists who like to practice with accompaniment at home (or, hey, in the car -- why not?). The CD can be adjusted, when played on your computer, to slow down sections for intensive work.
This is a very useful book for the church musician, singer, or singing teacher to keep on hand.

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An eminently useful collection of essential sacred favorites for classical singers. Includes a CD with both full performances and piano accompaniments only to be used for practice or performance. Contents: Ave Maria (Bach/Gounod) * Agnus Dei (Bizet) * The Holy City (Adams) * The Palms (Faure) * Panis Angelicus (Franck) * Dank sei Dir Herr (Handel/Ochs) * Crucifixus (Faure) * O Divine Redeemer (Gounod) * I Will Sing New Songs (Dvorak) * Hear My Prayer O Lord (Dvorak).

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Prima Donna's Album: 42 Celebrated Arias from Famous Operas (Vocal Collection) Review

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(More customer reviews)This book is one of the most extensive compilations of the great, lighter soprano arias that I've seen either online or in music libraries. It has a variety of arias that makes this album very useful for nearly any lyric, coloratura and lighter soprano from intermediate to professional level. This book is definitely not suited for beginners in terms of performance; but thinking back to my early days as an aspiring singer I think I would have very much liked to own this book if not only to follow along with the songs I dreamed of singing as an adult.

This book includes much in terms of grace notes that are typically sung, but does not include any optional melismatic passages at all. Usually there will be a smaller staff illustrating such options; but in the case of this book there is usually enough room in between systems to write in your favorite runs.

All in all I would recommend this book to any soprano, teacher, or voice coach because it is a great addition to any home, school, or studio music library.

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Contents: Mozart: Durch Zartlichkeit und Schmeicheln (Abduction from the Seraglio) * Ach, ich liebte (Abduction from the Seraglio) * Una donna a quindici anni (Cosi fan tutte) * Per pieta., ben mio (Cosi fan tutte) * Batti, batti (Don Giovanni) * Vedrai, carino (Don Giovanni) * Non mi dir (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) * Dove sono i bei momenti (Le Nozze di Figaro) - Rossini: Una voce poco fa (Il Barbiere di Siviglia) * Di piacer mi balza il cor (La Gazza Ladra) - Smetana: Ah, my darling, we could grow together (The Bartered Bride) - Puccini: Donde lieta (La Boheme) * Quando m'en vo soletta (La Boheme) * In quelle trine morbide (Manon Lescaut) * Vissi d'arte, Vissi d'amore (Tosca) - Mascagni: Voi lo sapete (Cavalleria Rusticana) - Menotti: To this we've come (Magda's Aria) (The Consul) - Offenbach: Les oiseaux dans la charmille (Tales of Hoffmann) - Meyerbeer: Ombra leggiera (Dinorah) - Donizetti: So anch'io la virtu magica (Don Pasquale) * Ciascun lo dice (La Figlia del Reggimento) * O luce di quest' anima (Linda di Chamounix) * Regnava nel silenzio (Lucia di Lammermoor) - Massenet: Je suis encor tout etourdie (Manon) - Verdi: Morro, ma prima in grazia (Un Ballo in Maschera) * Volta la terrea fronte alle stelle (Un Ballo in Maschera) * Saper vorreste (Un Ballo in Maschera) * Salce, Salce (Otello) * Ave Maria (Otello) * Caro nome (Rigoletto) * Tacea la notte placida (Il Trovatore) * Ah, fors 'e lui (La Traviata) - Nicolai: Nun eilt herbei (The Merry Wives of Windsor) * Je suis Titania (Mignon) - Bellini: Casta Diva, che inargenti (Norma) * Ah! non credea mirarti (La Sonnambula) * Ah non giunge (La Sonnambula) - Tchaikovsky: Scene and Arioso of Lisa (Picque Dame) - Gounod: The King of Thule (Faust) * The Jewel Song (Faust) * Juliet's Waltz Song (Romeo and Juliet).

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Arias for Soprano: G. Schirmer Opera Anthology (G. Schrimer Opera Anthology) Review

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(More customer reviews)The new G. Schrimer/Hal Leonard vocal editions have been greatly improved. This excellent, 200 page volume features 31 arias appropriate forbeginning (Vedrai, carino) as well as advanced(Jeux veux vivre) voicestudents. The arrangements and piano reductions have been updated foraccurancy, and optional ornaments are included.A section at the beginningincludes notes on each opera as well as literal line by linetrandlations-there are no rhyming "english versions" of the wordslisted in the score itself.Most voice teachers I have known own this bookand recommend it to their students.(Other recommendations for voicestudents -The "Oratorio Anthology" for soprano, "The FirstBook of Soprano Solos", and "The Prima Donna's Album", allpublished by G Schirmer/Hal Leonard Press. )The book includes classics suchas "O mio babbino caro" as well as modern offerings such as"The Willow Song" from "The Ballad of Baby Doe" Iam including a list of the arias found in this volume-perhaps the previousreviewer will change her mind.the title of the opera is in CAPSTHEBALLAD OF BABY DOE: "Willow Song," " The Silver Aria,"UNBALLO IN MASCHERA "Saper Vorreste" LA BOHEME " Michiamano Mimi," "Quando men vo," "Donde lieta,"CARMEN "Je dis que rien ne m'epouvante" LES CONTES D"HOFFMAN"Elle a fui, la tourterelle" DON GIOVANNI "Batti batti, obel maseto" "Vedrai carino" FALSTAFF "Sul fil d'unsoffio etesio" FAUST "Ah! Je ris de me voir"FIDELLIO"o war ich schon mit dir vereint"DER FREISCHUTZ "Kommt einschlanker Bursch gegangen" GIANNI SCHICCHI "o mio babbinocaro" GIULIO CESARE "V'adoro, pupille" MADAMA BUTTERFLY"un bel di vedremo" MANON "adieu, notre petite table"THE MEDIUM "The black swan" "Monica's Waltz" LE NOZZEDI FIGARO "Porgi, amor," "Dove sono i bei momenti""Deh vieni, non tardar" I PAGLIACCI "Stridono lassu"RIGOLETTO "Caro nome" ROMEO ET JULIETTE "Ah! Jeux veuxvivre" DER SCHAUSPIELDIREKTOR "Bester Jungling" TARTUFFE"Fair Robin I Love" TURANDOT "Signore ascolta""Tue che di gel sei cinta" DIE ZAUBERFLOTE "Ach, ichfuhl's"

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Contents: Handel: V'adoro pupille (Giulio Cesare) - Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) - Beethoven: O war' ich schon mit dir vereint (Fidelio) - C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) - Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) - Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) - Bizet: Je dis que rien ne m 'epouvante (Carmen) - Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) - Massenet: Adieu, notre petite table (Manon) - Leoncavallo: Ballatella (I Pagliacci) - Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) - Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) - Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) - Mechem: Fair Robin, I love (Tartuffe).

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Arias for Soprano, Volume 2: G. Schirmer Opera Anthology Review

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(More customer reviews)Although not all of the arias in this edition (or any edition for that matter) will fit one particular fach, the range and selection of pieces is really wonderful in this volume.I prefer it to the first volume, only because it has a few lesser known gems that are great audition pieces, whereas the first volume covers mostly pieces everyone has heard a million times before (though there are some of those in this volume too!).

Over all, well edited, wonderful translations and very easy to read.

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The G. Schirmer Opera Anthology series revolutionized opera aria study after its release in 1991. There are so many wonderful soprano arias that a second volume was warranted. The music is predominantly for lyric soprano. As in the original volumes, these are new, clean editions, with historical and plot information about each of the 32 arias included.

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