Showing posts with label jazz guitar. Show all posts
Showing posts with label jazz guitar. Show all posts

Mel Bay Jazz Guitar Standards: A Complete Approach to Playing Tunes Review

Mel Bay Jazz Guitar Standards: A Complete Approach to Playing Tunes [Spiral-bound]
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This book, along with its companion book "Jazz Guitar Stadards II,"are the best song books I've seen for the serious jazz guitarist.Each standard has four separate arangements - word melody lead sheet, chord melody solo, comping etude backup. and single note jazz improvisation melody.Among these arangements, there are many options from which any guitarist can pick and chose their own desired approach to each song.I have concentrated on the chord melody arrangements, which I found quite chalenging, but are well worth the effort.With the exception of the word melody, the arrangements are presented in both regular music and TAB formats.This combination definitely makes it easier to master very difficult fingering movements.All chord names are also included, so students can learn to associate the finger patterns with the correct chord designation.

I believe this song book to be aimed at the advanced amateur.

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Product Description:
This comprehensive anthology offers a lead sheet, chord solo arrangement, comping etude, and single-note solo for each of 22 jazz standards. These arrangements and etudes by some of the best arrangers and educators in the business provide jazz guitar students with material for development in every aspect of jazz musicianship. Tunes include: Satin Doll, Just Friends, Moonlight in Vermont, and more. Written in standard notation and tablature.

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Beginning Jazz Guitar: The Complete Jazz Guitar Method: Beginning-intermediate-mastering Chord/Melody-mastering Improvisation Review

Beginning Jazz Guitar: The Complete Jazz Guitar Method: Beginning-intermediate-mastering Chord/Melody-mastering Improvisation [Paperback]
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I've played guitar for more than thirty years and have focused on straight ahead jazz for the last 15 or so.All that time I've absorbed bits and pieces of musical knowledge from method books, lick guides and transcriptions as well as from the experience gained playing with others. No resource that I've encountered offers the degree of fundamental understanding that one can gain from this series of books.

Unlike most other method books, "Beginning Jazz Guitar" starts from chapter 1 with a dual track instruction mode of chord and scale studies mixed with a moderate dose of musical theory AND the author wisely limits the first volume to just the major scale.Too many other finepublications insist on bedeviling the student with a bewildering array of scales and modes in rapid fire succession.This volume shines when it comes to supplying answers to real world questions as the student might actually encounter them.Additionally, Jody Fisher presents scales in a format that encourages horizontal rather than vertical playing (one of the most important and most overlooked aspect of improvisation).As a matter of fact, more experienced players may have to relearn scale positions to work through the etudes and excercises in this book since they are fundamentally different than those normally found in most instructional texts.

Likewise, for a beginning book, the text does a credible job in presenting harmony and chord progressions with just enough theory to understand how progressions are structured and how to extend and alter chords. Most books present chordal theory in the first part of the book and then take up lead playing in the second half as if they bore no relationship with one another.Again, the author scores with the dual track approach.

Finally, the information contained in the "Coda" at the end of the book is worth the price alone.One could spend half a lifetime studying jazz guitar and not stumble over some these gems of info.

As a companion to this book I might also recommend "All Solos & Grooves for Jazz Guitar" by Jim Ferguson (Mel Bay) which serves up major scale studies along with more advanced solos utilizing similar techniques.As a matter of fact all of Ferguson's books would fit in nicely with this series.

All in all, an excellent resource for the determined student.

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Product Description:
Anyone with a knowledge of basic chords and guitar scale fingerings can dig right in and start learning to play jazz right away.Spanning from the major scale and basic triad theory all the way up to extended chords and the modes, this book features a full-length etude or song to go with every new concept introduced.Beginning Jazz Guitar breaks the age-old tradition of dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable method for learning to play in this style.

Clearly organized into easily mastered segments, each chapter is divided into separate lessons on harmony or improvisation.All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 96 pages.

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Thelonious Monk for Guitar (Personality) Review

Thelonious Monk for Guitar [Paperback]
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No longer is the idiosyncratic style of Thelonious Monk inaccessible to the guitarist.
For the guitarist who has ever spent time listening to the genius of Monks music - feeling at the same time enlightened by it's wisdom, and saddened by the ever nagging feeling that you, as a guitarist, could not truly benefit, this book is the answer to your unspoken wish.
If you have a desire to go beyond the limitations of the instrument - which turn out to be false - and are looking for your own unique voice, this book can be part of that journey for you. Somebody has finally done it for us. Gary has put in much time and effort, and he has found all the essential notes - those required to express Monk's style, and he's figured out how to put them on the fretboard. Every measure brings awe and surprise to the player. You won't believe that the sounds are coming from your guitar!
The book is well written, and each piece is a distillation of the essentials from numerous recordings. Gary Wittner has an encyclopedic knowledge of Monk's music, which is apparent in this book. There are extensive performance notes for each piece, some detailing almost every measure. These are essential, as they point out points that may not be obvious to you on first or even subsequent reading. For example, the duration of certain notes are very important to bring out the melody which is sometimes "hidden" in the chord voicings. The chord names are included at each measure. Fingerings are included when necessary, and everything is in TAB as well as standard notation. It couldn't be clearer.
It's not an easy journey - Monks' wasn't, and I don't imagine Gary's was either, but when you begin to work through the material you will start to see the connections. You'll start learning that wisdom that Monk was trying to pass on to us. It was meant for all of us.

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Product Description:
Explore the songs of one of the greatest jazz composers with this collection of 11 solo guitar arrangements in standard notation and tab. Songs: Bemsha Swing * Blue Monk * Little Rootie Tootie * Monk's Dream * Nutty * Played Twice * Reflections * Round Midnight * Ruby, My Dear * Ugly Beauty * We See. Includes in-depth performance notes, an introduction, and a discography.

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Hal Leonard Essential Elements Jazz Play Along Jazz Standards (Bb, Eb and C Instruments) Book and CD Review

Hal Leonard Essential Elements Jazz Play Along Jazz Standards Book and CD
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THis is the best play along book of the 6 or so I have bought.I'm trying to learn the structure of jazz and this is an excellent companion to the Essential Elements fro Jazz book.

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Product Description:
At last, a jazz play-along book for developing players! In addition to being a perfect introduction to some of the best-known jazz standards, this book includes hints for improvising on each tune, a guide to jazz articulations, plus a scale/chord correlation chart. Biographical sketches of key jazz figures are also included. And, if that wasn't enough, each tune comes with its own sample solo for reference or performance. The professionally recorded audio CD also includes tempo adjustment software for use in your computer (CD-ROM).Includes: Now's the Time, Killer Joe, Blue Bossa, C-Jam Blues, Footprints, Song for My Father, Autumn Leaves, Freddie Freeloader, St. Thomas and Blue Train. Professionally recorded Play-Along CDTempo adjustment software for computer (CD-ROM)Choice of full recording (with melody) or rhythm section onlySample written solos and improvising hintsRhythm book includes bass lines, piano voicings, and drum patterns

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The Real Book: Sixth Edition Review

The Real Book: Sixth Edition [Plastic Comb]
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Take note, this book contains no lyrics, thankfully.

Like many musicians I have owned a copy of the, "Real Book 5th Edition" for a long time.I use it at rehearsals, I take it to gigs, and over years of use it has received a lot a wear and tear.As you may know the, "Real Book 5th Edition" is a home made publication, it is not available to the general public it is sold by musicians to musicians.Consequently finding a copy is very difficult, and replacing a worn out copy is just as difficult.Despite its limited availability it is used by musicians all over the world and has become a standard piece of equipment any jazz gig.

Hal-Leonard's "Real Book 6th Edition", at first glance, appears to a fully licensed duplicate of the, "Real Book 5th Edition" however, it is NOT.

The cover is the same, the type set is the same, many of the songs are the same, and most of the keys match the, "Real Book 5th Edition."Unfortunately, many important songs are missing including: "Gentle Rain", "Pennsativa", "Green Dolphin St.", "Days of Wine & Roses", "Spain", "A Foggy Day", and all frank Zappa songs.Some great songs have been added including: "Whispering", "Nuage", "Topsy", "That's Amore", "Easter Parade", "When You Wish Upon a Star", and many more.A few songs appear in a different key than the, "5th Edition" including: "Windows" and "Here's That Rainy Day."There are also some corrections including: "Blue Train" changed from Cm blues to Eb blues; "Equinox" changed from Cm to C#m; the chords to "Four" have been 'corrected'; the bass lines of "So What" and "Maiden" have also been corrected.

The result of Hal-Leonard's efforts gives us a great fake book which is easy to read and easy to buy.The song selection is great, but it is different form the, "5th Edition" this will present a problem when someone on a gig calls, "Conference of the Birds" or any other song not in this book.

What made the, "Real Book 5th Edition" a standard for so many years was the fact that it was one of a kind.Each song had it's own page, the type set was large and clear, the chords were simple and to the point, the songs listed were ones that musicians played, and the arrangements were streamlined (but accurate), for years this was the only book that used this style.

Today, however, many fake books published by Warner Brother, Sher Music, and Hal-Leonard use this style.Consequently great music and quality arrangements are easily accessible to all musicians.There is no longer a need for the, "Real Book 5th Edition" it has been replaced by fully legal and more accurate publications.Hal-Leonard's, "Real Book 6th Edition" is another one of the new generation fake books.

I hope all the songs missing from the, "Sixth Edition" appear in books 2 or 3 which are due out soon.

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Product Description:
The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any copyrights or royalties paid to the master composers who created these musical canons. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You and your customers won't even notice the difference...the covers look the same, the engravings look the same, the songlist is nearly identical, and the price remains fair even on a musician's salary! But every conscientious musician and music store owner will appreciate that these books are now produced legally and ethically, benefitting the songwriters that we owe for some of the greatest music ever written! 400 songs, including: All Blues * Au Privave * Autumn Leaves (Les Feuilles Mortes) * Black Orpheus * Bluesette * Body and Soul * Bright Size Life * Con Alma * Dolphin Dance * Don't Get Around Much Anymore * Easy Living * Epistrophy * Falling in Love with Love * Footprints * Four * Four on Six * Giant Steps * Have You Met Miss Jones? * How High the Moon * I'll Remember April * Impressions * Lullaby of Birdland * Misty * My Funny Valentine * Oleo * Red Clay * Satin Doll * Sidewinder * Stella by Starlight * Take Five * There Is No Greater Love * Wave * and more!

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Joe Pass Guitar Chords Review

Joe Pass Guitar Chords [Paperback]
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I bought this book on the recommendation of Joe Satriani, who said, in an interview, that he first began to expand his guitar playing after a month or so of studying the chords in this book.I figured I'd give it a shot, because, let's face it - if Satriani found it useful, it can't be bad.
I was pretty happy with the purchase.The book is intended, explicitly, for ear training purposes.It lists major chord groups (maj, min, 7th, etc) and within each group, Joe offers the substitutions that he uses for them.The chords are listed in standard notation and a box diagram, and there are intentionally no chord names listed to associate with them.By getting the different chord sounds and associating them with a shape, one can develop a pretty good ear for commonplace chord substitutions.This is definitely an important skill to have for an aspiring guitarist of any style - and essential for anyone who wants to be a versatile guitarist.
The second section of the book goes through progressions of chords for each sound.These are generally used as turn-arounds, substitutions of multiple chords for a single one, or can be used as whole progressions.Again, there are no chord names listed here.
The last section of this book is an actual list of common jazz progressions, and one blues progression that is apparently common for Joe Pass (and not quite so common in the rest of the guitar community - a good thing in my book).These are only slash chord charts, meaning that all you have is a few measures of slashes and the chord(s) to go in each by name.There are no diagrams or standard notation.Then, Joe goes through substitutions he uses for these common progressions.This section is incredibly useful.
Unfortunately, the last part is also the only drawback of this book that I can see.Because the first two sections do not go over the chords associated with each chord name, this book does not stand alone unless the reader already has knowledge of varieties of chords available for stuff like Amaj7+5, D(b13), etc.That, coupled with the fact that the whole thing is only 24 pages long, is the reason for 4 stars instead of 5.
All in all, this book is highly recommended.It will improve your playing tremendously, and within a short period of time.

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Product Description:
Learn the sound of modern chords and chord progressions.You will play all basic and extended chord forms, solos and chord substitutions.The chords are divided into six major categories of sounds-major, seventh, augmented, minor, diminished and minor-seventh flat fifth.The purpose is to portray their sound in context of the category.

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Swing and Big Band Guitar: Four-To-The Bar Comping in the Style of Freddie Green Review

Swing and Big Band Guitar: Four-To-The Bar Comping in the Style of Freddie Green [Paperback]
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Here's a book I really wish I had back in high school jazz band. I used to go nuts with the charts back then, trying to figure out voicings and get all the notes in where the arranger wrote "Gb#11b13+" or some such, when that's really the last think you should be trying to do in a big band. But a good rhythm guitarist- as I leanred later- should concentrate on *rhythm*, using minimal voicings to develop a line that really acts like a counterpoint to the bass line. Forget all the altered tones; stick with 3rds and 7ths and develop good movement- think Freddie Greene in Count Basie's band. Simple voicings and solid rhythm.
This book is all about learning those voicings, learning where to subsctitute, and where to simplify to build interesting, musicallines. At that it succeeds marvelously. It doesn't assume any prior skill or knowledge, other than being generally familair with the guitar, knowing some basic chords and having some familiarity with the swing style. All chords are diagrammed as well as written out, so it's easy and convenient for both reader and non-reader alilke.
It's is a great tool for the beginning swing guitarist, the high school or college jazz band player looking foran organized way to approach rhythm guitar, or an experienced guitarist looking to expand his or her style. I've given it four stars instead of five as I think it could be organized a little bit better, and with a little more explanation in parts, but overall it's an excellent book.

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Product Description:
This book/CD pack for teaching jazz rhythm guitar in swing and big band styles includes: sample songs, patterns, progressions and exercises; essential chord voicings, inversions and substitutions; info on time and groove, reading charts, chord reduction and expansion; a chord reference library; and over 50 full-demo samples on the accompanying CD.

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Wes Montgomery: Transcribed Scores Review

Wes Montgomery: Transcribed Scores [Paperback]
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The moving earhears and passes to something new.
We think of this era of ear as the Dave Brubeck age.
All us west coast audiophiles were listening to Jazz in stereo on LP 33 1/3's.
We had these tube amps and diamond needles.
You go on the net and look for free Wes Montgomery mp3s...
naw. He's dead and they still want your money for it.
This music ain't cheap, but learning how he did it
may well be worth it. It was new when I was young.

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15 of his best songs and a special section with insight into Wes' playing concepts and techniques.

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Barney Kessel Jazz Legend (Book) Review

Barney Kessel Jazz Legend [Paperback]
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This is a must read for jazz fans in general and jazz guitarists
in particular. It is beautifully written and compiled and gives
insights into the man as well as the musician.

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Born in 1923, Barney Kessel played and recorded for over 40 years with hundreds of jazz greats, including Charlie Parker, Dexter Gordon, Buddy Rich, Oscar Peterson, Ella Fitzgerald, and Lester Young. This is the first book to document his unique life in music, from jamming with the big band of Benny Goodman to playing on many of Phil Spector's famed Wall of Sound records and producing a hit for Ricky Nelson. The comprehensive discography of hundreds of his jazz recordings will prove to be a valuable source of information for jazz historians for many years to come.

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Joe Pass Chord Solos: For Guitar, Vibes & All Keyboard Instruments Review

Joe Pass Chord Solos: For Guitar, Vibes & All Keyboard Instruments [Paperback]
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These are not "Chord Melodies". Rather they are chord improvisations over the changes of six tunes: Misty, Billie Joe, a Blues in Bb, Watch What Happens, Sunny and The Days of Wine and Roses.
Very dense chord arrangements showing different harmonic possibilities with the basic changes. I recorded these as I learnedthem, so I could listen to them to really absorb the material.
Joe gives no harmonic analysis at all, so it is up to the reader to figure out the theory, and boy, there's lots of it.
I'm a professional jazz guitarist and teacher....playing nearly forty years, and I still review these and pick chord licks that I like, transpose them to other keys, positions and strings, analyze the voice leading, chord substitutions, etc. I've had this book for years, and lots of it has slowly seeped into my playing. I'll play a piece, pick a chord lick that I like (like any one of them), and then try to apply it to my improvisations in other tunes.
In my opinion, for advanced players, this is one of the best books out there to dig into some really lush and melodic chord playing. I found it tough reading....and I'm a pretty advanced player. But I have worked through most of the major guitar books out there and this one is one of my mainstays.
While I'm here, I'll also recommend:
Fusion - Joe Diorio
Joe Pass on Guitar
Howard Roberts Guitar Manual Chord Melody
For players new to jazz and not so advanced, a standard book is
Mickey Baker Jazz Guitar Volume 1.

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Product Description:
The art of improvising chord-style solos is an important part of any musician's resources. This book has been written to improve that art for guitar, vibes and all keyboard instruments. A careful study of these solos will give you a thorough understanding of chordal playing and substitutions. It is great for voicing as well as improvisation.

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Legends of Jazz with Ramsey Lewis, Volume 3 (DVD/CD) Review

Legends of Jazz with Ramsey Lewis, Volume 3
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These series of Legends of Jazz DVDs is a collection to have for all Jazz enthusiasts. I can watch these collection over and over again, without getting bored. I particularly liked the Brazilian series and the Jazz singers with Kurt Elling and Al Jarreau.

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Hosted by Ramsey Lewis, this DVD/CD set (the third of a three volume series) features the biggest stars of jazz and is presented on one of the most dazzling audio/visual recordings of the year. The four episodes featured on the DVD include: "The Tenors wi

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Mel Bay Jazz Guitar Standards Chord Melody Solos (Book & CD) Review

Mel Bay Jazz Guitar Standards Chord Melody Solos [Spiral-bound]
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This is a spiral bound book with 44 arrangements and 2 CD's. Two outstanding arrangements are 'Misty' and 'Summertime', each by a different arranger. I like 'Misty' for the innovationand 'Summertime' for the feeling. These are not the only good arrangements in the book, just my personal favorites. The recordings are bare bones for the most part utilizing just a miked up jazz guitar but there are a few exceptions with bossa nova rhythm sections.The only slight negative I've found is there are a few tunes that were arranged, performed and/or recorded poorly. One arranger for example tries to put chords to every beat of the melody he tackles which is redundant sounding and too difficult for even him to pull off. Dogmatically sticking to one discipline when combining other techniques might help is ridiculous. Another example is the arrangement of 'It Don't Mean A Thing If It Ain't Got That Swing' which sounds more like a funeral dirge than the uptempo, fun tune it was meant to be. The chord/melody format is probably wrong for this tune. The majority of the arrangements are however professionally competent to exceptional. 'Misty'(Rick Stone-arranger) to repeat uses interesting,(not run of the mill), chord voicings that change as the song progresses, quick change chords, counterpoint, ascending diads, some linear lines and more. Very nicely done I think ! You wouldn't need to add much to this one.

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Product Description:
This collection of jazz standard chord solos for guitar is compiled from Mel Bay and Warner Bros. collaborations Jazz Guitar Standards Vol. 1 and 2. What makes this work so special is that each artist has personally recorded their solo guitar arrangement. The book comes with the CDs which have all 44 tunes. This book is a wonderful anthology of solo guitar that can be used for performances as well as educational purposes.

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Jazz Guitar for the Absolute Beginner (Book & CD) Review

Jazz Guitar for the Absolute Beginner [Paperback]
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This is easy excellent introduction into Jazz guitar, I mean rock bottom simple including some very basic chords, some very basic comping, improvisation and little taste of blues thrown in. You can get enough here to get you started whether you have been playing another style or just starting on the guitar. This book is like a good golf shot enough to make you come back for more, You can get a nice Jazzy sound with some very rudimentaryknowledge. I also like that she plays Jazz on a solid body rock guitar.....not a Jazz Boat.

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Learn everything from chord strumming and melody playing to basic jazz improvisation.Amanda Monaco's warm and encouraging style motivates even the most casual hobbyist to learn.

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Complete Jazz Guitar Method: Intermediate Jazz Guitar (Book Only) Review

Complete Jazz Guitar Method: Intermediate Jazz Guitar [Paperback]
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This is the second of a series of 4 books that cover arpeggio, modal, and chord melody theory for playing jazz guitar.They don't touch on the CAGED system at all which is a slight weakness, but these books are a great all-around quick education.I think each of these books is easily worth what you would get from a couple guitar lessons.A great deal.

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This book is great for guitarists who have learned the basics of jazz harmony and improvisation. Topics include the ii-V-I progression, creating solo lines, altered chord formulas, and comping in different jazz feels such as Latin, swing, ballad, and even funk. Continuing in the format of Beginning Jazz Guitar, every new concept is accompanied by etudes and songs for practice, and every chapter is clearly divided into lessons on harmony and improvisation. Packed with literally hundreds of chord voicings and improv ideas, this book is a must for any serious student of jazz guitar. All music is shown in standard notation and TAB, and the optional CD demonstrates the examples in the book. 96 pages.

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Jim Hall (2005) Review

Jim Hall
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This DVD was very interesting. I thought I was getting a concert - but what I got was a mini concert with instructional filler between each groove. Jim Hall is a gentle genius. He's very melodic and adds complicated arpeggios around each melodic line. This is what makes Mr. Hall one of a kind. He doesn't give us a lot of scales andmodes between each line - he doesn't slap you w/ a barrage of notes. You get the melody with a few thrills. His choice of notes is what makes him unique. Anyway, I thought I was getting a concert, but Mr. Hall stops between each groove and tells you what he did in each song - step by step. For example: I played a G minor here and a C7 there. I found using the remote to fast forward the filler helps. All I wanted to do was relax and hear Mr. Hall play. As you can see, I gave Mr. Hall five stars, anyway. His music is one of a kind.

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In several complete and live performances of his most notable compositions, Jim discusses and demonstrates the key components of performance and improvisation: picking and fingering techniques + creating chord melodies + providing accompaniment + analyzin

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Solo Flight: The Genius of Charlie Christian Review

Solo Flight: The Genius of Charlie Christian
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Having heard the name "Charlie Christian" uttered so reverently and so frequently in jazz circles I was curious to learn more about him and to hear him play. With that in mind I bought this video. Unfortunately itturns out that this is not a performance video. It's a half hour (in blackand white) of reminiscences of Christian's friends and acquaintances andsome of the guitarists he's influenced. Although I did learn alot about hisbackground, there isn't a single visual example of his playing. There arefragments of his recordings here and there, but the video is essentiallyjust a verbal documentary. Apparently the motivation for its creation wasto raise funds for a tombstone for the pioneering guitarist's unmarkedgrave. There's a note at the end indicating that a public showing of thefilm did indeed raise the money to carry out that purpose, so I supposethat in that respect the film is a success. Having passed away so early inhis career I guess it's probable that little (if any) film footage ofCharlie Christian playing exists today. Therefore I would advise interestedparties to turn to his recordings for samples of his revolutionarytechnique. Unfortunately in this video you'll hear quite a bit about it butwon't get to see any of it.

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When Charlie Christian began playing melodic single-string solos on an amplified guitar, he caused a guitar revolution, moving the instrument out of the background on to center stage. This poignant documentary is an in-depth account of an extraordinary gu

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The Bill Evans Guitar Book: by Sid Jacobs (Guitar Solo) Review

The Bill Evans Guitar Book: by Sid Jacobs [Paperback]
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This is really a great book for what it is.I feel that the author really translates the works of Bill Evans to guitar really well.All of the songs are even in the original key.My only gripe is that they are all very short.The longest one is less than three minutes, which is why I gave it a 4 and not a 5.

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In this book/CD pack, Musicians Institute instructor Sid Jacobs, who organized the school's Jazz Guitar elective, translates the playing of quintessential jazz pianist Bill Evans for guitarists to enjoy. Includes music, instruction and analysis of 14 Evans' pieces, all in their original keys and with full demonstration tracks on the accompaniment CD. Songs include: Funkallero * Laurie * Letter to Evan * My Bells * Orbit * Peace Piece * Peri's Scope * Remembering the Rain * A Simple Matter of Conviction * Time Remembered * Turn Out the Stars * The Two Lonely People * Very Early * Waltz for Debby."Sid's marvelous transcriptions of Bill Evans' tunes for solo guitar have just raised the guitar to a new level. This is contemporary guitar at its harmonic best."- Joe Diorio

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