Showing posts with label requiem. Show all posts
Showing posts with label requiem. Show all posts

Requiem in D Minor (Kalmus Edition) Review

Requiem in D Minor [Paperback]
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I know of two editions of this choir score: The German Peter's edition and this one.
I'm assuming it's also called the Serenissima Edition, because I have both editions and the one called Serenissima is marked as being on Kalmus's list of products
(inside it says you can buy more such music from Kalmus).
Judging from the page layout which is practically identical they both have the same origin and the same intonations but there are minor differences in
the dynamics: this version has a few more diminuendos. This version also has a few staccato marks that are not on the Peter's edition.
It also has a few rythmic errors that are not on the Peter's edition (but you would correct these instinctively if you were singing the music), for example on bar 100 of the Agnus Dei the minim should be dotted.

The most noticeable difference is the quality of the printing which is not great with either edition but you get better resolution with the German edition.
You'll notice this if you try to put the score through a computerized music recognition program so you can play the music to yourself: you'll get a lot of recognition mistakes in both editions.

As for the binding, this edition has just two staples, whether the Peter's edition is sown.

These are rather minor quibbles, especially since the Kalmus edition is a lot cheaper where I live.

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Product Description:
Requiem in D Minor Book Choir By Luigi Cherubini Brand: Alfred Publishing Model Number: 00-K06140

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German Requiem in Full Score Review

German Requiem in Full Score [Paperback]
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Dover does an extraordinary job in developing a quite accurate version of the German Requiem.Many consider this piece to be one of the best written in the Romantic Era.Brahms's originality and experimentation between the marriage of both the orchestra and chorus make this piece absolutely one of a kind.Strongly recommended for any listener and Dover's flawless edition is the best around if the listener wants to see the piece as Brahms visioned it.

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Composer's greatest, most ambitious vocal work, a masterpiece of choral music that is now one of the most performed and recorded works in the repertoire of religious music. Reprinted in full score, including solo voices, chorus and orchestra, from definitive Breitkopf & Härtel edition.


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Brahms - A Listener's Guide: Unlocking the Masters Series Review

Brahms - A Listener's Guide: Unlocking the Masters Series [Paperback]
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After reading otherbooks in this series, particularly those of Dave Hurwitz and John Bell Young's survey of the Beethoven Symphonies, I was eager to get my hands onthis latest volume about Brahms. As I am in the publishing business, I had been privy to some great "buzz"about this one from the book'spublicists, includingsuperlative recommendations of it from such august luminaries as Hugh Downs and the famous British pianist and MacArthur"genius grant" recipient, Stephen Hough. It seems that Hough is not the only one to be honored. The Kittredge Foundation out of Harvard University recognized Young with a grant of its own for this and the other books he wrote for the series. However, I also read an unfavorable review here at Amazon recently by a non-musician, who was evidently looking for amore run-of-the-mill biography or maybe something simple minded. He complained that Young's book is too technical and that he couldn't understand it. That's a legitimate complaint if you're unwilling to take the trouble to learn something new about something complex (this book is mostly about the composer's music, not his life), and that will require at least some minimum effort from the reader. It's a book for adults, after all, not four year olds. As I do have some background in music theory, that critiquedidn't worry me too much, though I have to admit to some bias. Even so, I enjoyed Young'sbook on Beethoven enormously so I thought I'd give this one a read, too.

I can say unequivocally that Young's prose style is phenomenal, even poetic; just have a look at his breathtaking description of the slow movement of the Violin Concerto. The CD attached to the book includes a performance of it with an amazing French violinist from the 1940s, Ginette Neveu, who I had never heard of until now. There are also performances by Furtwangler which, though beautiful,sound a bit worn and scratchy. There are also severalvery exciting performances by three newcomer pianists who Young praises in his introduction as worthy of attention. I have to agree, as they play beautifully. He explains in a brief sidebar that the "Unlocking the Masters" series is committed to providing opportunities to lesser known artists, rather than promoting famous names for the umpteenth time. That's commendable no matter how you slice it.

I fact, I found most of the book is exceptionally reader friendly, and even provocative (there's a lengthy and fascinating discussionabout Brahms's possible paternity, for example.) Where there is technical discussion of the music (its structure and harmony), it is laid out in such a way as to be self-explanatory, and eminently understandable; anyone who really loves music, and especially the music of Brahms, ought to be willing to make the effort if they want to learn something more substantial. I speak only for myself when I say that I read this book, and others in teh series, in order to learn something, not to be entertained. This is not a superficial study, though it IS a most enjoyable read.Young also provides a comprehensive glossary of musical terms at the end of the book, which clearlydescribes many musical concepts and terms in a way that anyone can understand. No one will have to run to a dictionary to look anything up, as the glossary includes everything you may need to know. It'sthe few minutes it takes to learn something more.He also makes a number of historical references that are both entertaining and relevant -- his discussion of gypsy culture and music and its influence on Brahms is particularly stimulating --and places Brahms in a context that helps us understand why he wrote the kind ofmusic he did.

For musicians and those who love the music of Brahms, this book is a must-have. Those who are looking for a simple biography, or who are not up to challenging themselves intellectually with a bracing read, had better look elsewhere. This book is not for them. For those who want to look deeply intoBrahms the composer and his music, Young's book is as good as it gets, and a tremendous asset.

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Product Description:
In this survey of Brahm's music, John Bell Young explores in depth the composer's private world of musical intimacies that infuriated Wagner, but inspired Schumann, Schoenberg, and millions of music lovers for generations to come. He also addresses a controversial issue long-neglected by biographers and critics: Did Brahms sire an illegitimate child, and in the absence of concrete evidence, did he leave behind clues in his allusion-rich music? Accompanying the book is a CD featuring rare performances of Wilhelm Furtwangler, alongside brand new recordings of three extraordinary pianists.

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