Tone Poems in Full Score, Series I: Don Juan, Tod Und Verklarung, & Don Quixote Review

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(More customer reviews)No music truly exists in a book.The composer puts his directions on paper, and the musician tries his best to do what the composer has directed to do.Play this note high, this note low, this note long, this note short, etc.Music is an art that really doesn't exist until it comes to life through the time it takes to perform it.Like a seed, the score of an orchestral work lies dormant until the musician(s) plant it, nurture it through performance.
For the few that can read a score like the rest of us read a newspaper, the music can come alive in the imagination of their inner ear.For the rest of us mortals, following the score while the music plays can help us 'see' the tree come to life with our ears and revel in all of the life and vitality it contains.
The tone poems of Richard Strauss are like vast, sprawling trees.There is no need to follow a score to admire the beauty of the trees.If that were so, symphony orchestras would pass out copies of the score to the audience and keep the lights on.But following the score is like climbing right up into the tree.You can see the diversity, the details, and even look down at the ground and realize where you are.
So to be able to appreciate these masterpieces on a different level, following the score can be a revelation.Dover's edition of these tone poems is inexpensive, of good quality, and I especially like the large format.If you try to follow a miniature score of these works, you best have really great eyes or a magnifying glass.These are vast, romantic works, and Strauss uses a very large orchestra. So the large format is much easier to read and follow.
So if you ever have the urge to get closer to these masterpieces, then by all means let the Dover edition of the scores be your guide.Your efforts to climb the tree will be well rewarded!

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Three of the most often performed and recorded works in entire orchestral repertoire, reproduced in full score from original editions. Study score.

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Antonin Dvorak SYMPHONIES NOS.8 AND 9 ("NEW WORLD") in Full Score Review

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(More customer reviews)While I strongly disagree with the reviewer who labeled classical music as "snooze-material" (how uncultured do we really wish to paint ourselves as being?), I do agree that the Dover score is a great and inexpensive purchase for anyone wishing to study either symphony.It's interesting to note that Simrock-Dvorak's usual publisher-and Dvorak were at odds over money when the 8th symphony was completed, so he had it published in London by Novello (it is because of this that the work is used to be called Symphony No. 4 and is often referred to as the "English" Symphony), but that all was back to normal by the time he had completed the 9th.Dover reprints both original imprints of the two scores: the 8th Symphony is a Novello reprint (1892) and the 9th Symphony is a Simrock reprint (1894).As is always the case with Dover scores the binding holds up well to backpack abuse and the pages don't tear when your theory professor goes ripping through them discussing formal construction with you.

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Two celebrated symphonies by the great Czech composer, the Eighth and the immensely popular Ninth, "From the New World" in one volume.

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Complete Concerti in Full Score Review

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(More customer reviews)Dover has done good job in this edition. Good quality reprint of complete works edition, it is easy to use and reliable. Only cons goes to the weight :)

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Brahms wrote only four concerti-all of which have become absolute staples of the concert repertoire. The works are: Piano Concertos Nos. 1 and 2; Violin Concerto, Op. 77; Concerto for Violin and Cello, Op. 102. This Dover edition reproduces them directly from Breitkopf & Härtel's definitive Samtliche Werke edition, Volumes 5 and 6.

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