Showing posts with label arthurian legend. Show all posts
Showing posts with label arthurian legend. Show all posts

Tristan und Isolde in Full Score Review

Tristan und Isolde in Full Score [Paperback]
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The only reason I can't give this volume a full 5 stars is the ordering of the staves in each system:not only (as with Schott's other 1st-edition-scores of Wagner's works) is it occasionally inconsistent from system to system;it also still insists on NOT separating the woodwinds from the brass (and, worse yet, mixes them around!);furthermore, it's awkward to have to look for the violins and viols as being ABOVE the voice-parts instead of below.

Otherwise, it's a steal and absolutely a MUST-GET for any serious musician who cares about his craft (whether conductor, singer or instrumentalist)!!!Not only is it a very reliable edition (typical with C.F. Peters), it also is that much the more valuable for including the editorial markings and suggestions of an important Wagnerian conductor of 100 years ago by the name of Felix Mottl;it's very obvious that he knew his stuff!!!!To boot, the fonts and engravings are such that one just CAN'T fault it other than what I've described above.

Very warmly recommended!![For those who want a fully-modern edition featuring all of what I'd like, one has to get Schott's current edition which, although indeed the very best one for both study and for conducting from (especially in terms of size - though it's amply possible to direct from this edition, so clear it happens to be!), is also fantastically expensive!Also worth mentioning is that this Dover republication has been on the market for around 35 years...]

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Product Description:
The legendary love story, and Wagner at the peak of his creative powers. Beautifully reprinted here in the authoritative edition prepared by C. F. Peters, Leipzig, ca. 1910.


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Parsifal in Full Score Review

Parsifal in Full Score [Paperback]
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Wagner's Parsifal, his "last" opera, is also in many ways his most moving on an intellectual and spiritual level. Full of Schopenhauerian resignation which rises beyond the pessimism of The World as Will and Idea into the world of Buddhist renunciation, Parsifal uses Christian metaphor to show the futility of striving and the peace to be gained from release.

However, this review will obviously be of the Dover edition of the full score, not the opera itself. Also, I won't comment on the previous negative review, except to add that the reviewer should do Wagner and the world a favor and read Macgee's The Tristan Chord: Wagner and Philosophy, and give the slanderous and bizarre Wagner-Hitler link a well-deserved rest. Wagner was an anti-semite, but to somehow link this to Hitler is a classic example of the genetic fallacy (where did this idea ever come from, anyway? The Nazis loved Beethoven far more than Wagner's left-wing revolutionary aural madness,it never really fit with their style....)

The Dover editions of Wagner's full scores are the most useful editions available for actually listening to and studying Wagner's Gesamtkunstwerken, and are a bargain at twice the price. Professional musicians will of course recognize that the G. Schirmer editions are the ones most often used for actual performances and rehearsals, particularly the Schirmer piano reductions (either the good old green hardbacks or the orange paperbacks). But even professionals make good use of the Dover editions, since they are ideal for sitting down with a good set of headphones and a cup of coffee to take in the brilliance that was Wagner.

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Product Description:
Unabridged score of composer's last opera, renowned for splendid music and glowing orchestration. Deeply personal treatment of the legend of the Holy Grail, themes of sacred and profane love, innocence and purity, remorse and sexual renunciation. Reprint of authoritative C.F. Peters edition, including list of characters and contents in both German and English.


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