Astor Piazzolla: A Memoir (Amadeus) Review

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(More customer reviews)I have read the Piazzolla biography Le Grand Tango and came away with a great deal of knowledge about Astor Piazzolla and his music. But it was not until I read Astor Piazzolla: A Memoir that I felt that I came to understand Piazzolla.
I like this format. Natalio Gorin's interviews with El Troesma are not the chronological, blow by blow account of Piazzolla's life I expected. Gorin asks some questions, but in a series of interviews generally allows Piazzolla to warm to whatever topic develops and then expand on it as the spirit moves him. He only prompts Piazzolla at times when he wants to steer the conversation in a particular direction, such as Piazzolla's politics or his love life.
This is really a tremendous work. One can feel Piazzolla's struggles as he describes his many clashes with the tango establishment and his constant fight to make a place for himself in Argentine and world music. Particularly interesting is the chapter in which he talks about numerous well-known musicians and those who influenced him, and those for whom he felt contempt. Particularly poignant is his relationship with the great bandoneonist Anibal Troilo who would often criticize Piazzolla's work, but at the same time express great affection and admiration for him.
I am amazed at the passions of his audiences whenever he would introduce new elements into his work. That people would actually riot and threaten a musician with death boggles the mind, but I am sure that reactions like that only more firmly convinced Piazzolla of the rightness of his course. Piazzolla was a fighter and he answered his critics not only with his fists, but with one musical masterpiece after another.
After Piazzolla is through talking, the book winds up with Gorin tying up loose ends and analyzing some of Piazzolla's greatest triumphs and greatest disappointments. He also takes a number of swipes at Aldo Pagani, a man Gorin considers to be Piazzolla's Rasputin. Gorin's conclusion is then followed by a couple of short commentaries by some of Piazzolla's collaborators and a discography of Piazzolla's recordings.
I highly recommend this book both by itself and as a complement to Le Grand Tango as a guide to understanding one of the greatest and most complex musician/composers of the 20th century.

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