Showing posts with label henry purcell. Show all posts
Showing posts with label henry purcell. Show all posts

Dido and Aeneas in Full Score Review

Dido and Aeneas in Full Score [Paperback]
Average Reviews:

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This appears to be a reprint of the 1915 Purcell Society edition, based on late and unreliable manuscript copies, which were all that were known at the time that edition was prepared.It differs in many small (and a few not-so-small) details from the version commonly performed today. It is also heavily edited with performance indications such as dynamic markings that, while not unmusical, are of more use as a document of Edwardian musical taste than as a guide to Baroque performance practice.

Almost all readers would be better off with the Norton Critical Score edition by Curtis Price for a few dollars more.For preparing performances, the best choices would be the current Purcell Society edition (published by Novello) or the very reasonably priced edition from King's Music.

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Product Description:
Sparkling miniature opera, filled with intense drama and elegant song, lasts no more than an hour, yet unfolds a virtuoso range of expressive music, from a high-spirited sailors' dance to Dido's touching lament "When I am laid in earth." First presented in 1689, remains the oldest operatic work still popularly performed. Authoritative early edition.


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Keyboard Works Review

Keyboard Works [Paperback]
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This is a great compilation of the keyboard music of Purcell.The book includes works that are both authentic and non-authentic by the composer.It is worth mentioning that this is not a complete collection of the composer's keyboard works.My only criticism is that the ink is a little blurry on the page.Dover editions tend to be inconsistent in their quality of printing, since some editions are printed very clearly, while others are quite blurry and have a faded appearance.Overall, this is good edition for the price.

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Product Description:
Near-complete collection of great English composer's keyboard compositions, including the eight suites, the core of his keyboard works. Also included are many miscellaneous one-movement pieces: airs, trumpet tunes (for harpsichord solo), grounds, preludes, dances, etc. Edited with a preface by noted music scholar William Barclay Squire.


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