Jazz Guitar Single Note Soloing, Volume 1 Review

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(More customer reviews)This actually is the second and last part of Greene's miniseries, and I decided to write about it because I bought this part based on several recommendations that it contains way more important and helpful materialfor guitarists, much more into the detail than Part I.
Greene himselfsays that the topic was basically only "touched" in Part II,while in this episode, he provides even more examples and material. Or toquote Greene "so we're going to really 'hit it' now"
He jumpsright in, talking about condensed arpeggios, preparing to demonstrate howto solo while staying in one position. Chapters deal with "Playingthrough changes", "Chromatic tones", "Soloing over fastchanges", "Slurring and decoration", "Rhythm andPhrasing", different scales and chords, up to sophisticated scales,chromatic progression.
Greene does something here that I personallyconsider extremely important: Not only does he provide much usefulinformation and explains many many important techniques and approaches, healso explains how to use them and incorporate into real playing, by talkingabout Rhythm and Phrasing, slurring and decoration. (Which I think is evenmore important than just the scales by themselves). Each chapter featureseasy-to understand explanations and diagrams, but the major part of thisbook is MUSIC. A lot of notation, with chord diagrams, all based on thetopic of the chapter. I think that he not only addresses all the importanttopics, but also explains how to apply them to the "real world",and all that with lots of musical examples, therefore providing the readerwith an actual demonstration of the discussed techniques and topics.
Oneof the best jazz players writes an extremely complete guide to a hugetopic. And pretty much covers EVERYTHING important! Not only straighttheory, but also important topics like phrasing (which often is ignored anddismissed, although it is as important as the actual notes one plays). Agreat guide to the topic, very complete, with theory ranging from basic tovery sophisticated, requiring quite some time and experimentation by thereader. Very very good, I absolutely recommend it
Prerequisite:Sight-reading, good knowledge of chords and basic theory, a bit of playingexperience in any case.

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A book that clearly explains the principles of jazz soloing. Logically Logically organized, with hundreds of musical examples, this method is the result of many years of Ted's teaching and research.

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Guitar Secrets: Symmetrical Scales Revealed (Dimished & Whole-Tone; Book & CD) Review

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(More customer reviews)This book displays the ideas of how to apply the melodic minor scale, through the means of scalar sequences, static chord vamp, ii-V applications, arppegio superimpositions, pentatonic fragments, etc. From learning these ideas, one should be well equipped for further exploring into the study of this scale, which is essential in jazz music.

In terms of technique, to be able to play the phrases, particularly the wide intervallic ones in full speed that Don demonstrates on the CD, obviously requires good technique, or at least will lead to the development of your alternate/sweep picking technique so as to accommodate some unusual runs within certain phrases. In this respect, the licks and phrases in this book can at times be quite advanced.

The most useful units in the book have to be the four usages (2nd, 4th, 5th, and 7th mode of the scale) or substitutions, though the 6th mode is briefly showcased as an alternative to the harmonic minor scale in a minor ii-V progression. The demonstrated licks fuse together in general a traditional jazz sound (e.g. the "Gone but not forgotten" lick frequently appears, cf. Jerry Coker's Elements of the Jazz Language for the Developing Improvisor), arpeggio superimpositions, modern runs in 4th/5th, and wide intervallic jumps. The licks are inspiring and should help build a good foundation for developing the usages of this scale.

Interested guitarist may also want to check out Don's Artful Arpeggios: Fingerings and Applications for Guitar (REH Pro Lessons), Joe Diorio's Intervallic Designs for Jazz Guitar: Ultramodern Sounds for Improvising and Steve Khan's Pentatonic Khancepts for furthering the study of these areas which the current book has presented on different levels.

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Learning how to play and use scales has always been a large part of every guitar player's practice schedule. Written from a player's perspective, this book doesn't get too in-depth into the history and classical theory of the scales, but focuses on their uses in contemporary styles such as blues, rock, fusion, and jazz. Includes tons of diminished and whole-tone lines, licks, and music examples; soloing and scale substitution from a player's perspective; and new sounds and ideas. Written in standard notation and tab.

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