Ballet 101: A Complete Guide to Learning and Loving the Ballet (Limelight) Review

Average Reviews:

(More customer reviews)Reading this book was a good learning experience -- the author, clearly, knows his stuff; at the same time, it's a bit awkward, hard to read (somewhat meandering, artificially florid, disjointed at times, with proofreading snafus -- for example, "graphein" is said to be a German word: obviously a typo made in haste) -- overall, I wish the writing were simpler, more to the point; it'd be great if an editor kneaded it all into a more graceful literary shape.

Recommended though: although the book can be improved, overall it's informative, quite good for a novice.

PS. When reading reviews on this page, please be careful to distinguish between bona-fide reviews by real readers and phony commercial blurbs by publishers' flunkeys who dishonestly use the amazon review capability to post advertizing copy here. A case in point, a review right above, by "D. Donovan, Editor/Sr. Reviewer": visit this person's reviews page and count the number of reviews posted in a single day. For example, on April 26, no less than forty (40!) reviews were added by this "reviewer", and so on, nearly every day, back to the beginning of time. No one can read forty books a day every day, to say nothing of reviewing them afterwards. I've discovered lately that this is a very widespread practice here. Beware! Not every reviewer posting something here is honest.

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Fifty Ballet Masterworks: From the 16th Century to the 20th Century Review

Average Reviews:

(More customer reviews)Lincoln Kirstein's genius as a writer of dance history is his ability to concisely and accurately relate dance to politics, industry, and economics--among other things. This book is organized chronologically by dance masterpieces, beginning with the sixteenth century and ending in the twentieth century. It's a great quick reference book to the great ballets. For each ballet, Kirstein describes the plot, creation of the ballet, and artistic collaborations that made the ballet possible. More importantly, he puts each ballet into historical context by discussing the art movements and politics of the time that affected the performers, choreographers, composers, costume designers, set designers, librettists, and other creative contributors to the ballets.

There is also a section of photographs, lithographs, etchings, and drawings at the end, in addition to the art that appears with each ballet. You won't find a lot of biographical information in the book, nor is it filled with anecdotes about the artists. The bibliography will point you in the right direction if you want to learn more. This is a straightforward, factual book that never ceases to educate and fascinate.

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Product Description:
Profusely illustrated vision of ballet as movement, art, theatrical spectacle, and history. Penetrating discussions of 50 seminal works, from the 16th to the 20th century. 474 illustrations.

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