Love's Labour's Lost: Applause First Folio Editions (Applause Shakespeare Library Folio Texts) Review

Love's Labour's Lost: Applause First Folio Editions [Paperback]
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This merry play is a delight for its language.It has more a situation than a plot.The King has sworn himself and three attendants to three years of fasting, abstinence from women, study, and little sleep.Immediately a princess arrives with her attendants that cause the men to regret their oaths.Letters are written, delivered incorrectly, and a huge final scene with disguises, masks, and a wonderfully strange presentation of some of the nine worthies.All of this provides a structure for a rich play of language that is full of wit and bawdy.

This edition has a lengthy introductory essay that helps understand the issues of the text, the historical context, and performance practice issues.The notes are wonderfully helpful in understanding the text and what choices the editors had to make in presenting it.After the play is an essay just on the text of the play, appendix 2 has additional lines that this edition leaves out of the play, appendix 3 discusses Moth's name.

The issue around Moth is that in Elizabethan times Moth would likely have been pronounced more like Mott than our soft th.And the word mote and moth were roughly interchangeable.The name of the insect and the word for a small particle meant roughly the same thing.It is a nice issue to be aware of and the essay is helpful.

Appendix 4 lists words that are rhymed in this play - often a revelation to the way words were pronounced 400 years ago.Appendix 5 lists the compound words, many of them minted in this play.

All in all, this edition is a happy experience of a very fun play.

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Product Description:
If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts.
The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos.
The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of ShakespeareÕs work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look," none of them is easily and practically utilized in general Shakespeare studies or performances.

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