Later Symphonies (Nos. 35-41) in Full Score Review

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(More customer reviews)As a musicology student on a budget, I've acquired quite a few Dover scores over the last years. They may be slightly antiquated in many cases, but there's simply no one who can match their prices.

This edition is from Breitkopf & Härtel's late 19th century edition of Mozart's complete works, which means that a lot of the archaic notation practices that existed in Mozart's time have been updated, allowing for a very easy to read product (The only C clef in use is in the viola). The font used is a bit heavy for my tastes, but by no means difficult to read. The print is of top notch quality; Dover Publication can be a little hit and miss when it comes to this, but this book has no notable printing flaws. The paper is of a high enough quality to withstand heavy handed rubber use.

The only minus I can think of right away is that there are no numbered bars, and that the instrumental organization of a movement is only mentioned on the first page of the movement; you have to keep track yourself after that. The first point is slightly annoying, the second one I don't really care about. These two points combined, however, force me to remove one star. Of course, this doesn't mean that it's not a top notch product in it's own right, or that there are better options out there, but there are some minor points that could have been improved without much work.

Since the instruments are only spelled out at the first page of a movement, this means that you won't get a reduced score; all instruments are written out all the time, even if they don't play anything. This makes the book slightly longer, but in my opinion, it actually makes the score a bit easier to read. Besides, it makes sure that you always have plenty of free space to write on, as opposed to some reduced scores that tends to get very cramped (you can find a couple of exceptions: pages where three separate lines of music have been added rather than two. You can probably count the instances of this on your fingers, though). A big point for anyone interested in analysis.

Bottom line: For this price, there's no better edition. It's a shame that Dover didn't take some few measures to improve it, because my fifth star could have been had for a very small price...

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Product Description:
This affordable collection includes Mozart's seven final symphonies (Nos. 35-41) including the great composer's greatest orchestral work-the last 3 symphonies. Reprinted from the authoritative and acclaimed Breitkopf & Härtel edition.

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In Search of The Third Man (Limelight) Review

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(More customer reviews)I tell it to you straight. A terrific read. This book is lucid, well-researched, intelligent, and beautifully written. And it is supremely enjoyable. If you think the Third Man is one of the great films of all time (and I do), you will acquire more information on the context, the story-line, the dramatis personae, the music (THAT theme), and the politics, than you might ever thought you could need (ie, Joseph Cotten was a womaniser, Trevor Howard was a soak). And you will clear out of the mental attic of the PR mythologizing which has grown around it (ie, that super-ego Orson Welles was the true eminence grise - when he was hardly even on the set). Right wing, nationalist Americans won't like because it shows how the American side of the co-production was focused on how it should present Americans in the best possible light (ie, brave, smart, democratic, etc) and ended up 'dumbing it down' for the American release (presumably because they cynically thought that Americans couldn't deal with Greene's subtle script).
The author holds the director and prime motivator, Carol Reed, in the highest possible regard. Here is someone utterly lacking in pretension; utterly obsessive on the detail; humanistic; a real charmer -someone cute enough able to deploy those actors' inflated egos to help extract the best possible performances (and in some cases get them just to turn up) yet ultimately the workaholic consumate craftsperson. He also shows that while US producer Selznick was a bullying oaf, he also contributed ideas which provided some of the film's real strengths (ie, the last scene which ducks the predictable happy ever after ending).

It is more than a book about a film. It deals with one of the most fascinating periods in the affairs of men and how a host of really talented, sometimes warring, people can together produce true cinematic art.

Deserves to be very widely read, but, Health Warning to Republicans or other Americans with an inferiority complex towards Europeans, it will challenge your assumptions. For the rest of us film buffs a hugely illuminating book.

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Half a century after its opening, The Third Man remains an unquestioned masterpiece of film artistry and, for many, the greatest British movie ever made. Whether it is Harry Lime's magical first appearance or the celebrated cuckoo clock speech or the climactic chase through the sewers beneath Vienna or the haunting theme music of Anton Karas, the film contains some of the most memorable moments in screen history. Drawing on both contemporary documents and accounts of the people involved, In Search of The Third Man explores the many myths that over the years have grown around this extraordinary film, and seeks to unravel the facts from the fiction."...you'll want to read The Third Man...The story of the film's creation is as intriguing as the film itself" -Leonard Maltin, Playboy

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