Showing posts with label tuning. Show all posts
Showing posts with label tuning. Show all posts

Farleys Pocket Tones Chromatic F - For Voice & Instruments Review

Farleys Pocket Tones Chromatic F - For Voice & Instruments
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After using standard pitch pipes for years, and having to order new ones every 6 months because they become flat, I am delighted with my Farley.

Ralph Fishman, Soounds of Concord Barbershop Chorus

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Product Description:
A battery-operated, tone generating device. A cappella singers, quartets, and choral groups will find PocketTones indispensable it is a must when there is no piano or reference instrument nearby. It's even used by American Idol coaches and contestants.

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On the Sensations of Tone Review

On the Sensations of Tone [Paperback]
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Helmholtz's Sensations of Tone became an almost instant classic in the study of hearing when it was published in 1863.It combined the physics, physiology and psychological aspects of hearing in an attempt to explainthe origins of musical harmony and dissonance.Though not easy reading, itis accessible to the non-specialist.However it also provides an importanthistorical resource for the specialist and helps one to understand theorigins of so much of contemporary hearing research.Indeed, in many waysHelmholtz reads more like a contemporary than a long-past founding father. The appendices provided by the translator are helpful as well.Finally,the inexpensive paperback edition from Dover makes this book an excellentbargain.

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This masterly treatment of classical acoustics embodies the great physicist's lifetime of research, and presents his vast knowledge of the field in a clear, easy-to-follow account. Among the topics explored: physical phenomena, the physiology of hearing, the relation of musical phenomena to physics, and historical aspects of musical sound.


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Music, Physics and Engineering Review

Music, Physics and Engineering [Paperback]
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The science of musical sound has evolved a great deal since 1966 when the second edition of 'Music, Physics and Engineering' was first published.However, this historical work can be of value to musical engineers even intoday's fast changing technological world.
The author, Harry F. Olson wasstaff vice president of the acoustical and electromechanical researchdepartment of RCA laboratories.The thorough science reported in this bookwas perhaps instrumental in the development of the RCA Mark II ElectronicMusic Synthesizer of the Columbia-Princeton Electronic MusicCenter.
Chapters such as: Sound Waves, Musical Terminology, MusicalScales, Resonators and Radiators, Musical Instruments, Characteristics ofMusical Instruments and Properties of Music have much to teach those withan engineering background about the science of music.
This book has beenextraordinarily useful to me in seeking to design sound events in softwarewith nothing other than a 'C' compiler and some audio file format specsheets to work with.It is a great read for the aspiring musical engineer.

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This extraordinarily comprehensive text, requiring no special background in physics, math or music, discusses the nature of sound waves, musical instruments, musical notation, acoustic materials, elements of sound reproduction systems-from the telephone to stereo sound systems-and electronic music. "Very thorough, and full of well-presented facts."-Musical Times. 376 figures.


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