Billy Wilder in Hollywood (Limelight) Review

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(More customer reviews)Amidst the flurry of new books by and about Billy Wilder, don't neglect this forgotten gem originally published in the mid-70s.Author Zolotow has an 'Old Hollywood' perspective on Wilder's astonishingly productive careerand acerbic personality--not to be missed.

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"A double delight: a richly entertaining biography of both screenwriter-director Wilder and his milieu - Hollywood... a fascinating montage of a man whose talents and quirks, virtues and faults, are endlessly engrossing. Electrifying opinions of those with whom he has worked and the original casting choices for his films are often surprising: Mae West was his first choice for Norma Desmond in Sunset Boulevard and Mary Pickford was his second! A first-rate book about a complicated, talented curmudgeon." - After Dark

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Nobody's Perfect: Billy Wilder, A Personal Biography (Applause Books) Review

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(More customer reviews)There is no one wilder in Hollywood than Billy - Billy Wilder, that is.  And the new bio of him, "Nobody's Perfect: Billy Wilder: A Personal Biography," is as close to the "perfect" non-critical, fun history of a man and his movies. Written by Charlotte Chandler (whose previous works include "I, Fellini" and "Hello, I Must Be Going: Groucho and His Friends"), the tome is based on interviews she conducted with Wilder and his friends over a period of years. The result is a wonderful kaleidoscope of movies, politicians, actors, geniuses and louses. From Sigmund Freud to Louis B. Mayer, from Richard Strauss to Joan Fontaine, from Prince Yussupov to Walter Matthau --- Wilder knew them all. He is the man who put Marilyn Monroe over a subway grate, Jack Lemmon in a dress and Gloria Swanson in the most famous close-up of them all. The great beacon shining through the entire book is, of course, the wit and humor of the man.  Wilder is certainly one of the great comic directors of all time, and his legacy is astounding. By structuring the book around the subject's work in a strictly chronological manner, Chandler creates a picture of Wilder that is at once true and wildly engrossing. The early stories about journalism in pre-war Berlin are as fascinating as the later tales of success in glittering Hollywood. That the last 20 years of his life, arguably the most creative time in an artist's life, were spent without a single film project is the underlying tragedy of this book, and Chandler doesn't exactly dwell on it, but the painful reality is certainly there. We like to think of him as this way: Billy Wilder, Somebody's Perfect. (Submitted by staff member Stephen J. Finn)

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