Showing posts with label mastering. Show all posts
Showing posts with label mastering. Show all posts

Live Sound Practice and Theory (Book) Review

Live Sound Practice and Theory [Paperback]
Average Reviews:

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No doubt about it, Mark Amundson is an audio god among us mere mortals, I just cant help feeling that a lot of this material has been re-hashed from his FOH articles, and he could have given us who are so hungry for his knowledge and insight a fresher bit of info to pull from.

Albeit, he does 'fess up to this at the beginning of the book--you just have to buy it first!

None the less, it is an excellent refresher and a must-read for newbies, so over all it doesn't disappoint.

I'm a 15+ year audio vet, 9 with IATSE and I certainly won't be asking for a return.

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Product Description:
Troubleshooting tips from a seasoned sound engineer. Real live sounds engineers swim in a reality of time pressure, troubleshooting, non-technical individuals and limitations of money. This book provides practical advice pulled from the articles the author wrote for the live sound industry leading magazine Front of House. Topics include equipment storage and handing, speaker positioning, speaker and amp matching, power distribution, signal processing, handling wireless mics, and other daily operational topics that are important to national touring crew technicians and engineers.

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Basic Mastering (The Basic Series) Review

Basic Mastering [Paperback]
Average Reviews:

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This book is extremely small, but still, it could have been shortened into a few concise paragraphs.
The first third of the book is a repetitious litany on how to splice tape, label boxes and use a DAT. It haphazardly hints at the numerous steps one most go through to prepare the audio for reproduction. Then states that if you're going to burn a Red book CD, none of this is necessary. Good then, let's skip it.
The second third is about how to cut and paste digital audio using editing software. If you've ever used audio software then you can skip this part too. Actually if you even have audio software, you're better off just playing around with it, so you should skip it also.
The last third is a glossary. Yes, an entire third of the book is an appendix. It gives the definition of many useful industry terms. For instance, STEREO, WAH-PEDAL, TRACK, and VOLT.
Example:
VOLT,
A unit for measuring electricity.
I would skip it.

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Product Description:
Further titles in this exciting new pocket sized series, designed to make music technology simple.

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Basic Microphones (Music Technology Series) Review

Basic Microphones [Paperback]
Average Reviews:

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This book delivers what it promises. It would be of little or no use to a recording engineer of someone who already knows a lot about recording but that is not the target audience of this little tome. The target is people who want to learn more about microphones but who know little or nothing to begin with.

The book starts off with a little bit of basic information on sound and then turns to a discussion of different types of microphones. The pros and cons of each type are briefly reviewed. This is in terms of directionality and in terms of type of recording elements. From there, the book moves on to discussion of how best to mic different situations like vocals, strings, piano and drums. My one complaint is that there is nothing on wind instruments.

One peculiarity of this book is a result of it coming from Britain. That means that some terms may not be familiar to American readers. Condenser replaces capacitor and valve replaces tube. This should not cause any problem but it may throw some people at first.

For many people, this may well be the only book ever to be needed on the subject of microphones. At the very least, it is a good introduction at an excellent price.

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Product Description:
The experience of decades in a few pages: how microphones work, what the various types do, and how to use them in just about any musical situation.

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