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(More customer reviews)Two Piccolos, Oboe, Eb Clarinet, Bb Clarinet, Horn, Trumpet in d, Trumpet in C, Tenor Trombone, Bass Trombone, Contrabass Trombone, 4 Percussion, Suspended Cymbal, Snare Drum, Tenor Drum, Castanets, Sleighbells, Chains, Tambourine, Low Tam Tam, Bass Drum, Slap Stick, you really feel this piece,the physicality of it like a steel girder,I always think of Richard Serra, but there is spirituality there, private, whereas in Varese there is an element of assault, like a siren, or a jack-air hammer, or simply the convolutions of traffic; For its relative small ensemble constitution of instruments there is something grandiose, perhaps a leftover from Varese,his early years; the work has considerable power, the tension many times results from the opening of spaces, and the focus on solo passages, like metal threads,doll-rods that holds the bridge together,against these solos, sustained percussion gong, tam-tam almost imperceptible timbres can be introduced as a premonition to the full bodied ensemble entering, The three trombones as well give,and lend more a clarity,and the fact that there is no Tuba(Contrabass Trombone instead) adds to the clarity. A Tuba, as glorious as it sounds would have functioned to blend/smear more the sonorities,more overtones rpresented per square acoustic footage (here the Contra Bass Trombone sticks out more,has more an edge)also there is not a bevy of snarling, nasty horns,only one with superimposed on whatever the trombones iterate, usually chordal declamations, The two piccolos well serve to "light-up" the work with a stridentcy,piercing moments; they really do not mix,or blend with anything else as the trombones merely claiming a timbral territory,perhaps they are close to the trumpet in D, smaller piccolo trumpet. The soloshelp contribute to the tension;like something has fallen out of the work, an open space,and in open sapces you can then see or hear lines more clearly,that when the rest of the ensemble enters; the percussion here punctuates whatever the winds do,but they do have a mystery, almost like DiChirico,someone also fascinated by modernities new found language and spaces; same identical rhythms are played much of the time, like this is an etude in how to sustain a timbre,disrupt it,subvert it twist it into other shapes then a dense chord, and slowly take away from it, the reiterations of the sustain timbre as well is what makes the work cohere toward conclusion.
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Product Description:
Since its first publication in 1926, Integrales has been revised at least two times by Varese. This study score, edited by Chou Wen-chung, includes program notes of new revisions made by the composer. Duration ca. 11 minutes.
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